Items

• Striking mode of the tubular “ding pong” aerophone: “pah”

  Field sound recordings collected by Jacques Dournes, a French missionary and researcher, in Vietnam in 1964 from the Jörai population: funeral music, different methods of playing aerophones and a phonetic study.
• Striking mode of the “ding pong” tubular aerophone: “pong tur”

  Field sound recordings collected by Jacques Dournes, a French missionary and researcher, in Vietnam in 1964 from the Jörai population: funeral music, different methods of playing aerophones and a phonetic study.
• Sung duet of women

  Field sound recordings collected by Jacques Dournes, a French missionary and researcher, in Vietnam in 1964 from the Jörai population: funeral music, different methods of playing aerophones and a phonetic study.
• "Dding dek" pan flute solo , 4

  Field sound recordings collected by Jacques Dournes, a French missionary and researcher, in Vietnam in 1964 from the Jörai population: funeral music, different methods of playing aerophones and a phonetic study.
• Duo of funeral mourners

  Field sound recordings collected by Jacques Dournes, a French missionary and researcher, in Vietnam in 1964 from the Jörai population: funeral music, different methods of playing aerophones and a phonetic study.
• Funeral mourner's song

  Field sound recordings collected by Jacques Dournes, a French missionary and researcher, in Vietnam in 1964 from the Jörai population: funeral music, different methods of playing aerophones and a phonetic study.
• Funeral song performed by a mourner, 1

  Field sound recordings collected by Jacques Dournes, a French missionary and researcher, in Vietnam in 1964 from the Jörai population: funeral music, different methods of playing aerophones and a phonetic study.
• Funeral music on the köni fiddle

  Field sound recordings collected by Jacques Dournes, a French missionary and researcher, in Vietnam in 1964 from the Jörai population: funeral music, different methods of playing aerophones and a phonetic study.
• Sung declamation from the “Oi Dur” tale

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Sung declamation of the "Juong Kong Chom" tale.

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• “Jong Wong Bblong” song

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Song and declamation “Kin Kê”

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Spoken enunciation of a traditional tale

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Fiddle köni solo

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• The playing modes of the set of “cing monyum” gongs used for domestic rites

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• The different modes of playing of the “cing arap” gong set

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• The gong zither: sounds given by the left hand and the right hand

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Song "Let's go little brother"

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Song "Pleasant evocation of the ancients", 2

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Song “Pleasant evocation of the ancients”, 1

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Song “Black but beautiful” by a duo of young women

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• “Courting song” by a duo of young women

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• “Courting song” by a young girls duo

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• “Evening song” sung by a young girls duo

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Young girl solo about male labour

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Song of young girls to the glory of two jörai men

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune dating from the Viet Minh occupation

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune “Languor of the wife”, sung

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune of the “King of the Elements” played by the gong ensemble

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Playing gongs around the sacrificial buffalo

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Processional set of gongs and drums

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• “Crying over deceased parents” tune on köni fiddle

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune “Crying over the deceased elephant” sung by a woman

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune “Crying over the deceased elephant", sung

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Jörai tune “Crying over a deceased elephant” on the köni fiddle

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune jörai on the fiddle köni

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune bahnar to dông-köni, zither-fiddle

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Dding-dek solo, pan flute

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Dông-köni solo, zither-fiddle on calabash resonator

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune “Hunting the gibbon” on köni fiddle.

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune “Cour d’amour” on gong zither

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune “Once we were in the mud of ponds” on the gong zither

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune “Childhood Memory” on gong zither

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune “Calling the child to come home” on the gong zither

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• “Popular” tune on the gong zither

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune “the sun bends over the forest” on the gong zither

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tune of 'the rain hitting the straw hut' on the gong zither.

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• Tuning the gong zither

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• “Modern” tune on a gong zither, 2

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.
• “Modern” tune on a gong zither, 1

  Field recordings made by Jacques Dournes from 1963 to 1964 in Vietnam with the Jarai population: instrumental/vocal melodies and instrumental games.