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Gamelan Selunding: Ritual love court dance Redjang Music recordings made in Bali (Indonesia) by Louis Berthe and Bernard Yzerdraat, in 1961, 1962 and 1963. -
Gramophone Company The Gramophone Company was founded in April 1898 by William Barry Owen and Edmund Trevor Lloyd Wynne Williams, commissioned by Emil Berliner, in London. It was one of the earliest record labels (Wikipedia). -
Dangan sentara bounga melati ; Terang boulang ; Nina bobo (Three popular songs) Pathé record, Musée de la Parole, Hubert Pernot
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Conte populaire en langue malaise: Bawang pounti sama bawang mera Pathé record, Musée de la Parole, Hubert Pernot
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Kecak chorus Appearing in its present form at the beginning of the 1930s, this genre drew from older models, such as the trance-dances as practised in temples. A chorus of men, some forty performers, seated in concentric circles facing towards the centre, where a scene from the Ramayana is played, with the texts declaimed by actors. The chorus itself performs a polyphony of diverse cries and onomatopoeias, wherein the syllables [ke] and [cak] (pronounced "cha") are stylised monkey calls. The result is a varied rhythmic counterpoint, mainly using techniques of hocket, ostinato and off-beat. Synchronisation betwecn the different parts is rigorously directed by one of the members in the chorus, a sort-of conductor whose signals can be clearly heard. There is no place for improvisation, and all the parts, whose number vary during a performance, have been learned by heart.
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Heyalo song A heyalo song, by Ulahi and Eyoobo. In Kaluli conception, the two voices do not "follow" one another, but "lift up over" (dulugu molab), in a sort of echoing. The heyala songs may be performed either during ceremonies or for personal diversion. Composed in the traditional style, for some ceremonies held about 1970, this heyalo is sung here by two women during a pause from work in the gardens. The text compares some children to doves, flying off, to a distant school, stopping at each village to tell their parents, brothers and sisters : "l won't be coming back".
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Harmonic melody (insect) Melody on harmonics, by Kabyo (son of) Nuwas, using the buzzing of a beetle (fut mwag). The beetle is attached by its legs to a stem, then held in front of the mouth while it attempts to fly away. The insect provides an "instrumental" drone. By modifying the volume of the buccal cavity serving as resonator, the boy selects harmonics to make a melody (an analagous technique to that of the jew'
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Individual singing Individual singing called dit, by Ginto and Kuto. The two girls of eleven freely string together some song sequences, without trying to coordinate their voices. Sung here while weaving a net.
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Singing with pilipe flute Voice and flute pilipe, by Mabu. In the first iece, the musician sings in falsetto and blows alternately in the pilipé flute, a small bamboo tube producing a single pitch. The melody as sung has five degrees, all below the fundamental frequency of the flute : with three principal degrees separated by about a tone, and two intermediate degrees, the descending melodic contour imitates the intonation of the spoken language. In the second piece (as from O'28), the musician lets out cries at the same time as sudden bursts of breath into the flute, thus imitating with instrument and voice some vocal techniques, partly yodelled, tyically utilised by a number of performers during a ritual. The text of the first piece is made up of metaphorical expressions concerning an unfaithful wife, whom the singer wishes would return to him
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Men's songs Dshambukware song, performed by Ndukabre (dshambu is the name of the totemic emblem, in the form of a bird, of a clan). This men'
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