Items

•  Song to celebrate the new house among the Khmu

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. With 43,000 individuals in the provinces bordering Laos, the Khmu constitute the largest Mon-Khmer linguistic group in northern Viet Nam. Strongly influenced by the Thai, the Khmu adopted a certain number of their cultural traits.
•  Vocabulary survey in Khmu, Laha and Vietnamese on field work and building a house

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. The Laha belong to the "kadai" group and number 6,600 (at that time). Research on the Laha dialect was done in 1986 by Russian linguists and in 1996 by an American linguist, Jerold A. Edmondson.
•  History of the origin of the Laha village

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. The Laha belong to the "kadai" group and number 6,600 (at that time). Research on the Laha dialect was done in 1986 by Russian linguists and in 1996 by an American linguist, Jerold A. Edmondson.
• Relationship of the Laha with the Thai: in Thai language then Laha

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. The Laha belong to the "kadai" group and number 6,600 (at that time). Research on the Laha dialect was done in 1986 by Russian linguists and in 1996 by an American linguist, Jerold A. Edmondson.
•  Translation of French sentences into Vietnamese then into Laha

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. The Laha belong to the "kadai" group and number 6,600 (at that time). Research on the Laha dialect was done in 1986 by Russian linguists and in 1996 by an American linguist, Jerold A. Edmondson.
• Danse des nymphes

  Court music of His Majesty Sisowath ស៊ីសុវត្ថិ , the King of Cambodia visiting Paris in 1906, recorded on wax cylinder and published on 78 rpm by the Dutreilh Label under the direction of musicologist, writer and sinologist Louis Laloy. Yann Fister old collection. A performance of this orchestra took place at Pré Catelan on 10 July 1906, and this recording would date from the previous day.
• Hanoi radio broadcast on the music of the Montagnards of Central Viet Nam

  Hanoi Radio broadcast (noisy). Copy of radio program made by the French researcher and missionary Jacques Dournes, between September 24 and 26, 1970.
• Radio broadcast from Hanoi on a modern song and its different interpretations jörai, edê, bahnar

  Hanoi Radio broadcast (noisy). Copy of radio program made by the French researcher and missionary Jacques Dournes, between September 24 and 26, 1970.
• Ritual invocation of Potai and myth of Prong Pha

  Some interventions by Jacques Dournes in the Jörai languageUnpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Sung commentary about Potao Ia

  The Jörai have made “Pötao” an essential element of their conception of the universe. They recognize three masters of "Pötao", metaphorically classified as Fire, Air and Water. Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the researcher and French missionary Jacques Dournes.
• Jörai song and story

  Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Song and tale of Diung

  Song and story Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Khmer singing

  Khmer singing Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Sung story about King Ju and H'Bia Jau

  Story Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes. Unfinished story
• Sarune oboe solo,2

  Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Minangkabau flute solo

  tune played by a minangkabau fluteUnpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.The Minangkabao or Minangkabau (in general abbreviated as Minang, or incorrectly called orang Padang, after the provincial capital) are a group of approximately 8 million people from the highlands of the Indonesian province of West Sumatra.
• Saranai Oboe Solo

  Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes. In Vietnamese, it is called "ken saranai"
• Sarune oboe solo,1

  sarune oboe musicUnpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.Oboe from Sumatra and Malaysia, instrument with a pirouette, reminiscent of the Arab zurna, there are very varied forms and, for each of them, circular breathing is used. It is played for popular dances, magic ceremonies, in Malaysian shadow theaters. In some areas it may be richly decorated, painted or carved. The reed, often very small, can be made from various materials (palm, rice straw, bamboo, coconut or palm leaf, rush).
• Mu Rija Festival among the Cham

  Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Sung story of Po Con, the last Cham king

  History of Pô Cön, last Cham kingUnpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• The song of praise “Da’a Yang” to Po Klong Cat

  song of praiseUnpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• The song of praise “Da’a Yang” in Po Rome

  song of praiseUnpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• The song of praise “Da’a Yang” to Po Bya Panuh

  song of praiseUnpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• The song of praise “Da’a Yang” at Po Klong Garai

  song of praise To the king who governed Champa from 1285 to 1307? Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• The song of praise “Da’a Yang” in Po Pal

  song of praiseUnpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• The song of praise “Da’a Yang” to Po Biah

  song of praiseUnpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• The song of praise "Da'a Yang" to the Cham goddess Po Dara

  song of praiseUnpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• The song of praise “Da’a Yang” to Po Tuh

  song of praiseUnpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• The song of praise "Da'a Yang" to the Cham goddess Po Inu Nagar

  song of praise Po Inu Nagar: legendary founding goddess of Champa? Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes .
• The song “Damonoy” accompanied by the touque

  Singing accompanied by the touque (metal container used for transporting and storing drinks) Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the researcher and French missionary Jacques Dournes.
• Invocations around a body during its cremation,2

  Funeral Psalmody (recto tono) Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Instrumental music accompanying the cremation ritual,5

  Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Instrumental music accompanying the cremation ritual,4

  Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Instrumental music accompanying the cremation ritual,3

  Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Instrumental music accompanying the cremation ritual,2

  Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Instrumental music accompanying the cremation ritual,1

  Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Invocations around a body during its cremation,1

  Cham funeral Psalmody (recto tono) Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Cham singing accompanied on the fiddle

  Unpublished sound recordings of music from Viet Nam (rituals of the Cham and Jörai populations), Malaysia and Indonesia, made in 1969-1970 by the French researcher and missionary Jacques Dournes.
• Man's song,10

  Unpublished sound recordings of vocal and instrumental solos collected by Jacques Dournes in Vietnam from 1963 to 1967, from the Jarai population.  Solo male singing voice and hand-beating pulse
• 5-hole clarinet solo "Dding guih"

  Unpublished sound recordings of vocal and instrumental solos collected by Jacques Dournes in Vietnam from 1963 to 1967, from the Jarai population. 
• Tubular zither solo “gông”

  Unpublished sound recordings of vocal and instrumental solos collected by Jacques Dournes in Vietnam from 1963 to 1967, from the Jarai population. 
• Retelling of the tale Bbhung

  Unpublished sound recordings of vocal and instrumental solos collected by Jacques Dournes in Vietnam from 1963 to 1967, from the Jarai population.  Male spoken voice
• Sung declamation from the tale Khun

  Unpublished sound recordings of vocal and instrumental solos collected by Jacques Dournes in Vietnam from 1963 to 1967, from the Jarai population. 
• Pan flute solo "dding dek", 3

  Unpublished sound recordings of vocal and instrumental solos collected by Jacques Dournes in Vietnam from 1963 to 1967, from the Jarai population. 
• Woman's song punctuated by bells

  On the Jarai polyphonic principle: one voice provides the melody, another a supporting vocal ostinato + a regular pulsation of bells Unpublished sound recordings of vocal and instrumental solos collected by Jacques Dournes in Vietnam from 1963 to 1967, from the Jarai population. 
• Polyphony on vocal drone accompanied by bells,3

  Recorded in situ. A woman sings, in falsetto, the main melody. A first drone enters, operated by a woman, then another by another woman.Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Polyphony on vocal drone accompanied by bells,2

  Recorded in situ. A woman sings, in falsetto, the main melody. Another makes a staccato vocal drone. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Polyphony on vocal ostinato accompanied by cowbells

  Recorded in situ. A woman sings the main melody, 2 others a vocal ostinato.Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Polyphony on vocal drone accompanied by cowbells,3

  Recorded in situ. A woman sings the main melody; another a vocal drone.Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Polyphony on vocal drone accompanied by cowbells,2

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.