Items

• Excerpts from “Trần Quốc Toản Ra Quân,“ Traditionally Sung Hat Tuông Theater Piece

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition.
• French Translations of Thai Sentences

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition.
• “Chu on liêt (Recognition of the Victims of the Front),” Tay Tune

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition.
• “Gratitude to Those Who Fell on the Front,“ Black Thai Tune

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition.
• “Xeng Dèn Hung Cang Muong,“ Popular tune of the Tay de Yên Châu

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition.
• “Sang Ai Pay Bô Dôi,“ Popular Tune of Tay de Yên Châu, 1

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition.
•  Excerpts from the Great Poem “Sông Chu Son Sao“ by a Tay woman

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition.
• “Chôm Chêng (Wishes for the New Year),“ Tay Song

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition.
• “Xôn piêu (Embroidering a Handkerchief for an Anti-aircraft Soldier)” by a Tay woman, Modern

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition.
• “Hay Hua Pông Bau' Mân,“ Reforestation Song by a Tay Woman

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition.
• Khmu Song with Clarinet

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. With 43,000 individuals in the provinces bordering Laos, the Khmu constitute the largest Mon-Khmer linguistic group in northern Viet Nam. Strongly influenced by the Thai, the Khmu adopted a certain number of their cultural traits.
•  Khmu Dance Tune

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. With 43,000 individuals in the provinces bordering Laos, the Khmu constitute the largest Mon-Khmer linguistic group in northern Viet Nam. Strongly influenced by the Thai, the Khmu adopted a certain number of their cultural traits.
•  Drinking Song by a Srê Woman

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. With 43,000 individuals in the provinces bordering Laos, the Khmu constitute the largest Mon-Khmer linguistic group in northern Viet Nam. Strongly influenced by the Thai, the Khmu adopted a certain number of their cultural traits.
• Love Song by a Khmu Man,2

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. With 43,000 individuals in the provinces bordering Laos, the Khmu constitute the largest Mon-Khmer linguistic group in northern Viet Nam. Strongly influenced by the Thai, the Khmu adopted a certain number of their cultural traits.
• Love Song by a Khmu Man,1

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. With 43,000 individuals in the provinces bordering Laos, the Khmu constitute the largest Mon-Khmer linguistic group in northern Viet Nam. Strongly influenced by the Thai, the Khmu adopted a certain number of their cultural traits.
• Khmu “Dao“ Solo

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. With 43,000 individuals in the provinces bordering Laos, the Khmu constitute the largest Mon-Khmer linguistic group in northern Viet Nam. Strongly influenced by the Thai, the Khmu adopted a certain number of their cultural traits.
•  Khmu Clarinet Solo

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. With 43,000 individuals in the provinces bordering Laos, the Khmu constitute the largest Mon-Khmer linguistic group in northern Viet Nam. Strongly influenced by the Thai, the Khmu adopted a certain number of their cultural traits.
• Khmu Song to Celebrate a New House

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. With 43,000 individuals in the provinces bordering Laos, the Khmu constitute the largest Mon-Khmer linguistic group in northern Viet Nam. Strongly influenced by the Thai, the Khmu adopted a certain number of their cultural traits.
• Vocabulary Survey in Khmu, Laha and Vietnamese on Field Work and Building a House

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. The Laha belong to the "kadai" group and number 6,600 (at that time). Research on the Laha dialect was done in 1986 by Russian linguists and in 1996 by an American linguist, Jerold A. Edmondson.
• History of the Origin of the Laha Village

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. The Laha belong to the "kadai" group and number 6,600 (at that time). Research on the Laha dialect was done in 1986 by Russian linguists and in 1996 by an American linguist, Jerold A. Edmondson.
• Relationship of the Laha with the Thai: in Thai language then Laha

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. The Laha belong to the "kadai" group and number 6,600 (at that time). Research on the Laha dialect was done in 1986 by Russian linguists and in 1996 by an American linguist, Jerold A. Edmondson.
• Translation of French Sentences into Vietnamese then into Laha

  Recording of music and interviews collected in North Viet Nam in 1973 from different populations by the French ethnologist Georges Condominas during a research expedition. The Laha belong to the "kadai" group and number 6,600 (at that time). Research on the Laha dialect was done in 1986 by Russian linguists and in 1996 by an American linguist, Jerold A. Edmondson.
• Danse des nymphes

  Court music of His Majesty Sisowath ស៊ីសុវត្ថិ , the King of Cambodia visiting Paris in 1906, recorded on wax cylinder and published on 78 rpm by the Dutreilh Label under the direction of musicologist, writer and sinologist Louis Laloy. Old Philippe Garnier collection. A performance of this orchestra took place at Pré Catelan on 10 July 1906, and this recording would date from the previous day. | Musique particulière de Sa Majesté Sisowath ស៊ីសុវត្ថិ , le roi du Cambodge en visite à Paris en 1906, enregistré par le label Dutreilh sous la direction du musicologue, écrivain et sinologue Louis Laloy. Ancienne collection Philippe Garnier. Une représentation de cet orchestre eut lieu au Pré Catelan le 10 juillet 1906, et cet enregistrement daterait de la veille.
• Hanoi radio broadcast on the music of the Montagnards of Central Viet Nam

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Radio broadcast from Hanoi on a modern song and its different interpretations jörai, edê, bahnar

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Ritual invocation of Potai and myth of Prong Pha

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Sung commentary about Potao Ia

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Jörai song and story

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Song and tale of Diung

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Khmer singing

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Sung story about King Ju and H'Bia Jau

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Sarune oboe solo,2

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Minangkabau flute solo

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Saranai Oboe Solo

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Sarune oboe solo,1

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Mu Rija Festival among the Cham

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Sung story of Po Con, the last Cham king

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• The song of praise “Da’a Yang” to Po Klong Cat

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• The song of praise “Da’a Yang” in Po Rome

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• The song of praise “Da’a Yang” to Po Bya Panuh

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• The song of praise “Da’a Yang” at Po Klong Garai

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• The song of praise “Da’a Yang” in Po Pal

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• The song of praise “Da’a Yang” to Po Biah

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• The song of praise "Da'a Yang" to the Cham goddess Po Dara

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• The song of praise “Da’a Yang” to Po Tuh

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• The song of praise "Da'a Yang" to the Cham goddess Po Inu Nagar

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• The song “Damonoy” accompanied by the touque

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Invocations around a body during its cremation,2

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Instrumental music accompanying the cremation ritual,5

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples
• Instrumental music accompanying the cremation ritual,4

  Field recordings of music from Vietnam made in 1969-1970 by the French researcher and missionary Jacques Dournes: rituals of the Cham and Jarai peoples