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1451–1500 of 8785
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Choeur d'hommes, cérémonie commentée Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Kenyah, Modang populations. -
Danse des Udoq Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Ceremonial dance welcoming rice seeds to the village by all the villagers (200 families) in their finest attire and all the musical instruments together as well as the mouth organ, kedirek which revolves around the central column topped by toucan , surrounded by two tigers. Dance of masks in a semi-circle facing the column, on the left, udoq kitaq (worn by men), made of wood and on the right udoq kibah (worn by women), made of inverted hoods covered with beaded tapestries representing the udoq on the face of the overturned basket. The gestures are very slow and graceful. At the center of these two semicircular groups arrives udoq taing whose head represents an enormous wild boar (carried by 10 men) and small figures, udoq maok surrounds him and carry blowguns and quivers as well as baskets full of rice seeds. They represent the hunter-gatherers, Punan. (Cf. Bilingual booklet. The music of the Kenyah and Modang in East Kalimantan, Indonesia. Face I.5, p.5)
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Choeur d'hommes suivi de musique de danse, kanjet avec les luths, sampeq Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Brief ceremonial welcome
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Récit de l'origine du riz en indonésien par le chef coutumier Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Explanation by the Kepala Adat, the head of the Tradition in the Indonesian language, of the myth of the origin of rice and the constellations of Pleiades and Orion. Beli Tana, the Spirit of the Earth, is linked to this myth. Dialogue between the ethnographer-linguist and the translator of the concepts in English and Indonesian.
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Choeur de femmes et danse, kanjet Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Among the Kenyah, in general, dances are performed by groups belonging to the same class and the same sexes. Dances for men and women are distinct. They are never mixed. But in secular dances. The row wraps itself into a two-line circle and then unrolls.
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Choeur de femmes et danse Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Modern dance in three rows, Telut dzulut.
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Musique de luth, sampeq; parap; musique de luth pour danse, kanjet Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. 1- the end of the dance of a warrior with saber and shield to lute music, sampeq. 2 - Men's chorus. 3 - Resumption of lute music for dance with applause. Dance in three rows, telu dzulut.
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[Untitled] Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. A male chorus begins followed by a solo male voice recounting a historical event. A warrior said to be the messenger of the Sultan of Kutai, dances ritual pantomime while offering a glass of water to the Raja, seated on the large humped gong. With gliding steps, he draws circles with his arm and follows a long diagonal line to bring the glass and place it in the Raja's hands. This offering dance lasted 4 minutes and the Raja stood up, received the glass and drank it. Traditionally, this dance took place at the end of a peace pact and after that the community waited to be informed of the contents of the agreement.
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[Untitled] Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Throughout the song, comments from the ethnographer describing the men's gestures. And after the warrior's dance, each of the guests of the big house held a bamboo internode filled with honey, diluted in water, as a glass and offered it to each visitor.
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Hule Huning, discours du Kepala Adat, chef de la tradition en Kenyah Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem.
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Lesong undat, avec commentaires de l'ethnographe au milieu de la performance Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. During a festive occasion, a wedding for example, large quantities of rice must be pounded in large mortars in a row. This work becomes a collective game between young boys and girls and an opportunity to flirt. Here, it was the reception in the big house accompanied by the percussion of drums, tewung and gongs as well as clashing sections of bamboo. While the mask, udoq evolves.
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[Untitled] Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. During festive occasions such as a wedding, the large mortar is struck in the veranda to pound a large quantity of rice and reduce it to flour Cries of joy from the young people, in a playful context, of competition, of flirtation between the boys and girls.
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[Untitled] Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Dance of masks, hudoq.
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[Untitled] Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Lamentations are an expression of grief and can also be played on the flute.
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[Untitled] Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. After looking for visitors on the opposite bank, climb the notched staircase. The singing begins. Traditional ritual of welcoming visitors near the longhouse overlooking the river. Sacrifice of a chicken and sprinkling of blood and water on each visitor followed by an offering of drink, tellang layuk. The men's singing continues. (Cf. Bilingual booklet. The music of Kenyah and Modang in East Kalimantan, Indonesia. Side I, track 3, p.5, translation by N. Revel)
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Pièces pour Luth, sampeq Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Music on the lute accompanying the dances, kanjet.
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Tambour, jatung Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem.
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Xylophone en bois, jatung-utang Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Music for the lute transposed on the vertically suspended wooden xylophone. Rhythm and melody transposed from dances, kanjet with lute accompaniment.
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Xylophones en bois, jatung-utang Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Music for the lute transposed on the vertically suspended wooden xylophone. Rhythm and melody transposed from dances, kanjet with lute accompaniment.
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Pièces pour Luth, sampeq (nouvelle mélodie) Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a dance, kanjet. The women are online, julut; the men form another line after them and the circles are made and undone and each dancer slowly turns around. (Cf. Bilingual booklet. The music of the Kenyah and Modang in East Kalimantan, Indonesia. p.6, translation by N. Revel)
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Pièces pour Luth, sampeq (suite) Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a dance, kanjet. The women are online, julut; the men form another line after them and the circles are made and undone and each dancer slowly turns around. (Cf. Bilingual booklet. The music of the Kenyah and Modang in East Kalimantan, Indonesia. p.6, translation by N. Revel)
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Pièces pour Luth, sampeq (suite) Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a dance, kanjet. The women are online, julut; the men form another line after them and the circles are made and undone and each dancer slowly turns around. (Cf. Bilingual booklet. The music of the Kenyah and Modang in East Kalimantan, Indonesia. p.6, translation by N. Revel)
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Pièces pour Luth, sampeq (suite) Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a dance, kanjet.
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Pièces pour Luth, sampeq Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a warrior dance. The screams of the warriors interfere with the melody during the performance.
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Solo de xylophone, jatung-utang Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Music that can accompany dances, kanjet.
1451–1500 of 8785