Items

• Vocabulary and Storytelling

  Field recording made in 1969 in Malaysia (in the center of the peninsula) by Jacques Dournes, missionary and anthropologist : songs and instrumental music, languages and oral traditions (conversations, stories, vocabularies) of different minority populations in Malaysia (of the Semelai language).
• Conversation and the Hikayat Legend (continues)

  Field recording made in 1969 in Malaysia (in the center of the peninsula) by Jacques Dournes, missionary and anthropologist : songs and instrumental music, languages and oral traditions (conversations, stories, vocabularies) of different minority populations in Malaysia (of the Semelai language).
• Conversation and the Hikayat Legend

  Field recording made in 1969 in Malaysia (in the center of the peninsula) by Jacques Dournes, missionary and anthropologist : songs and instrumental music, languages and oral traditions (conversations, stories, vocabularies) of different minority populations in Malaysia (of the Semelai language).
• Invocation of the Muezzin of the Mosque

  Field recording made in 1969 in Malaysia (in the center of the peninsula) by Jacques Dournes, missionary and anthropologist : songs and instrumental music, languages and oral traditions (conversations, stories, vocabularies) of different minority populations in Malaysia (of the Semelai language).
• Girls Song

  Field recording made in 1969 in Malaysia (in the center of the peninsula) by Jacques Dournes, missionary and anthropologist : songs and instrumental music, languages and oral traditions (conversations, stories, vocabularies) of different minority populations in Malaysia (of the Semelai language).
• Malay-Sömlai Vocabulary

  Field recording made in 1969 in Malaysia (in the center of the peninsula) by Jacques Dournes, missionary and anthropologist : songs and instrumental music, languages and oral traditions (conversations, stories, vocabularies) of different minority populations in Malaysia (of the Semelai language).
• Conversation on the Ethnic Groups of the Negri Sembilan

  Field recording made in 1969 in Malaysia (in the center of the peninsula) by Jacques Dournes, missionary and anthropologist : songs and instrumental music, languages and oral traditions (conversations, stories, vocabularies) of different minority populations in Malaysia (of the Semelai language).
• Story of a Sömlai Woman

  Field recording made in 1969 in Malaysia (in the center of the peninsula) by Jacques Dournes, missionary and anthropologist : songs and instrumental music, languages and oral traditions (conversations, stories, vocabularies) of different minority populations in Malaysia (of the Semelai language).
• Conversation and Vocabulary

  Field recording made in 1969 in Malaysia (in the center of the peninsula) by Jacques Dournes, missionary and anthropologist : songs and instrumental music, languages and oral traditions (conversations, stories, vocabularies) of different minority populations in Malaysia (of the Semelai language).
• Male Solo Singing, 2

  Field recording made in 1969 in Malaysia (in the center of the peninsula) by Jacques Dournes, missionary and anthropologist : songs and instrumental music, languages and oral traditions (conversations, stories, vocabularies) of different minority populations in Malaysia (of the Semelai language).
• Conversation

  Field recording made in 1969 in Malaysia (in the center of the peninsula) by Jacques Dournes, missionary and anthropologist : songs and instrumental music, languages and oral traditions (conversations, stories, vocabularies) of different minority populations in Malaysia (of the Semelai language).
• Male Solo Singing, 1

  Field recording made in 1969 in Malaysia (in the center of the peninsula) by Jacques Dournes, missionary and anthropologist : songs and instrumental music, languages and oral traditions (conversations, stories, vocabularies) of different minority populations in Malaysia (of the Semelai language).
• Popular Wedding Song and the Tale of a Thousand and One Nights

  Sound recordings collected on wax cylinder during the Universal Exhibition in Paris in 1900 by Doctor Léon Azoulay (French linguist) of the Société d'Anthropologie de Paris (SAP).
• Southeast Asia
• Bandung (Region)
• Maluku
• Cambodia
• Bali (Region)
• Papua New Guinea
• Brunei
• Kalimantan
• France
• Kewar, West Timor
• Timor
• Sumatra
• Sumbawa
• Sulawesi
• Philippines
• Canada
• The Netherlands
• Iraq
• Hong Kong
• Sri Lanka
• Myanmar
• Antarctica
• India
• United Kingdom
• Pieter Middelkoop
• Father Jan Verschueren
• Kathy Kunst- Van Wely
• Tropical Institute Amsterdam
• U.P. Center for Ethnomusicology

  The name, “U.P. Center for Ethnomusicology“, is an outcome of its former appellation, the “U.P. Ethnomusicology Archives”, established in June 16, 1997 by the U.P. Board of Regents, in recognition of Professor Jose Maceda’s visionary work and authorship of putting together an ethnomusicological collection of about 2500 hours of recorded music in open reel and cassette tapes, field notes, music transcriptions, song texts, photographs, music instruments, music compositions, personal files, about 2000 books and journals, all of which he personally initiated and developed as a unified institutional resource for music research.
• British Library
• Anak Ayam (Zapin) TEST2

  In the Malaysian national music recording, unestablished instrumentation including the harmonium, violin, and percussion is used, with performers such as Negar Ku and Hamzah Dolmat of Rakan 2. The traditional instrumental Malaysian folk dance in the zapin style is performed by Hamzah Dolmat and his group using instruments such as the oud, violin, accordion, and drum. The recordingencompasses popular music, folk songs, folk dance music, and world and traditional music, with a focus on Asian culture. Hamzah Dolmat, a prominent violinist, and his group Rakan2 are featured in these recordings.
• Anak Ayam (Zapin)

  Anak Ayam (Zapin) is a traditional instrumental Malaysian folk dance in the zapin style, performed in a popular idiom by violinist Hamzah Dolmat and his group Rakan2. The unestablished instrumentation most likely includes a harmonium, violin, and percussion, with other instruments such as the oud (fretless lute), accordion, and drum also used. The music falls into the categories of popular music, folk songs and music, folk dance music, and world and traditional music, specifically from Asia. The performance was recorded by Radio Malaysia and the BBC Tropical Tapes, with the reel containing 4 minutes and 10 seconds of music. The performers include violinist Hamzah Dolmat and his group Rakan2, as well as an unidentified sound recordist.
• Timor-Leste
• Viet Nam
• Thailand
• Singapore
• Malaysia