Taba' Manjaratun (Gawai Mamandung)
Item
Archivist's Original Title
en
Taba' Manjaratun (Gawai Mamandung)
fr
Taba' Manjaratun (Gawai Mamandung), frappe d’accueil
id
Taba' Manjaratun (Gawai Mamandung)
Original description
en
Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. also called taba' rami-rami (animated). reception rhythm. Composition: kangkuang slot drum, tuung cylindrical drum, 3 tawak hanging gongs, 3 babandi hanging gongs, 1 set of gongs on galentang frame. The tawaks play in reverse. 1/1/1/22. The third follows the second in reverse. major instrumental kangkuang.
The intro and conclusion of the strike are done with percussion (kangkuang + tuung) in a loop three times
Here the kangkuang slit drum is not present enough, the sound of the tawak is too muffled
The intro and conclusion of the strike are done with percussion (kangkuang + tuung) in a loop three times
Here the kangkuang slit drum is not present enough, the sound of the tawak is too muffled
fr
Enregistrements sonores inédits réalisés en Indonésie (West Kalimantan) en 1997 par Dana Rappoport, auprès des populations Dayak Taman, Iban, Kayan Mendalam. appelé aussi taba' rami-rami (animé). rythme d'accueil. Composition: tambour à fente kangkuang, tambour cyclindrique tuung, 3 gongs suspendus tawak, 3 gongs suspendus babandi, 1 jeu de gongs sur cadre galentang. Les tawak jouent en inversé. 1/1/1/22. Le troisième suit le second en inversé. instrum majeurkangkuang.
L'intro et la conclu de la frappe se font aux percussions (kangkuang + tuung)en boucle à trois reprises
Ici le tambour à fente kangkuang n'est pas assez présent, le son des tawak est trop feutré
L'intro et la conclu de la frappe se font aux percussions (kangkuang + tuung)en boucle à trois reprises
Ici le tambour à fente kangkuang n'est pas assez présent, le son des tawak est trop feutré
id
Rekaman dibuat di Indonesia (Kalimantan Barat) pada tahun 1997 oleh Dana Rappoport, dalam masyarakat Mendalam Dayak Taman, Iban, Kayan. Disebut juga taba' rami-rami (animasi). ritme penerimaan. Kelompok: gendang slot kangkuang, gendang tuung silinder, 3 buah gong gantung tawak, 3 buah gong gantung babandi, 1 set gong pada rangka galentang. Para tawak bermain terbalik. 1/1/1/22. Yang ketiga mengikuti yang kedua secara terbalik. kangkuang instrumental utama.
Intro dan penutup pemukulan dilakukan dengan perkusi (kangkuang+tuung) sebanyak tiga kali putaran
Disini kendang kangkuang kurang hadir, suara tawak terlalu teredam
Intro dan penutup pemukulan dilakukan dengan perkusi (kangkuang+tuung) sebanyak tiga kali putaran
Disini kendang kangkuang kurang hadir, suara tawak terlalu teredam
SEA Annotations
en
1st day of a six-day ritual (Gawai Mamandung). This day is called Bumbulan. Precedes the construction of cow cages (maniang pandung). Women seated Chanting in the big house, the men face them. Before going down to build the cages (pandung), they play in the big house. They are for drinking.
Time duration
en
00:04:27
Recording date of the original material
en
1997-08-07
Acquisition Date
en
2011
Population
en
Dayak Taman
Place of the cultural origin
Country Name
Recording place
en
Kampung Lunsa Hilir, kecamatan Putussibau, kabupaten Kapuas ulu, Kalimantan
Resource Language
en
Taman
Archivist Category
en
Music (Vocal)
Recording context
English
Field recording
Collector
Name of original Collection
en
Indonesia: West Kalimantan, 1997, D. Rappoport
Collection source citation
Related material
External reference
en
RappoportPercussions des Taman, in revue Percussions, n° 59, vol IX/5, 1998.
History of ownership
en
Archived at CREM, CNRS in 2011 by D. Rappoport
Holding Institution of Original Materials
Licensing Institution
Accessing Institutions
Copyright Information
Copyright Notice
For any use, please contact the CREM-LESC (CNRS, Nanterre University, France): see information at https://archives.crem-cnrs.fr
Physical format
English
Digital Audio Tape
Preservation State of Physical Object
en
original
Original item number
en
CNRSMH_I_2011_016_002_12
SEAH Identifier
en
SEAH_CNRSMH_I_2011_016_002_12
