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Udoq Dance
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id
Tarian udoq
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en
Udoq Dance
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fr
Danse des Udoq
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Kenyah and Modang populations.
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Musiques vocales et instrumentales collectées en 1977 à Bornéo Est (Kalimantan Timur) par N. Revel, J. Maceda and I Made Bandem. Populations Kenyah et Modang.
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0:12:54
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1977-04
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2010
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Kenyah
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Kalimantan Timur, Long Segar sur la rivière Telen
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Kenyah
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Mouth organ (Kedirek); suspended xylophones (Jatung utang); lutes (Sampeq).
Oral commentary by the ethnographer. Description of masks and costumes.
See “1978, Revel-Macdonald, Nicole, La danse des masques Hudoq” (The Hudoq Mask Dance), Objets et Mondes, la Revue du Musée de l'Homme, vol. 18, fasc. 1-2 (spring-summer), pp. 31-44, 3 maps, 2 plans, photos.
See musical transcription (see bilingual booklet. The Music of the Kenyah and Modang in East Kalimantan, Indonesia. p. 17). Ceremonial dance to welcome the rice seeds to the village by all the villagers (200 families) in their finest attire and all the musical instruments gathered together-as well as the mouth organ, (Kedirek), which revolves around the central column surmounted by a Toucan, surrounded by two tigers.
Mask dance in a semicircle facing the column, on the left, Udoq Kitaq (carried by men), made of wood, and on the right, Udoq Kibah (carried by women), made of upside-down baskets covered with beaded tapestries representing the Udoq on the face of the upside-down basket.
The movements are very slow and graceful. In the center of these two groups in a semicircle is Udoq Taing, whose head represents a huge wild boar (carried by 10 men), and small figures, Udoq Maok, surround him and carry blowguns and quivers as well as baskets full of rice seeds. They represent the Punan hunter-gatherers. (See bilingual booklet. The Music of the Kenyah and Modang in East Kalimantan, Indonesia. Side I.5, p.5)
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fr
Orgue à bouche, kedirek; xylophones suspendu, jatung utang; luths, sampeq.
Commentaires oraux par l'ethnographe. Description des masques et des costumes.
Cf. “1978, Revel-Macdonald, Nicole« La danse des masques Hudoq », Objets et Mondes, la Revue du Musée de l'Homme, tome 18, fasc. 1-2 (printemps-été), pp. 31-44, 3 cartes, 2 plans, photos.
Voir transcription musicale (Cf. Livret bilingue. The music of the Kenyah and Modang in East Kalimantan, Indonesia. p. 17) Danse cérémonielle d'accueil de semences du riz au village par tous les villageois (200 familles) dans leurs plus beaux atours et tous les instruments de musique réunis ainsi que l'orgue à bouche, kedirek qui tourne autour de la colonne centrale surmontée par toucan, entouré de deux tigres.
Danse des masques en demi-cercle face à la colonne, à gauche, udoq kitaq (porté par les hommes), fait de bois et à droite udoq kibah (porté par les femmes), fait de hottes renversées recouvertes de tapisseries en perles de verroterie représentant le udoq sur la face du panier renversé.
La gestuelle est très lente et gracieuse. Au centre de ces deux groupes en hémicycle arrive udoq taing dont la tête représente un énorme sanglier (porté par 10 hommes)et des petits personnages, udoq maok l'entoure et portent sarbacanes et carquois ainsi des hottes pleines de semences de riz. Ils représentent les chasseurs-cueilleurs, Punan. (Cf.Livret bilingue. The music of the Kenyah and Modang in East Kalimantan, Indonesia. Face I.5, p.5)
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xylophone
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lute
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dance
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rice
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agriculture
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mask
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ritual
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Music and spoken voice
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Field recording
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Spoken voice: female
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Mouth organ
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Xylophone
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3-string lute
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Kedirek;Jatung utang;Sampeq
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Kalimantan Timur (Bornéo Est) ; Revel, N. 1977.
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1979, REVEL, MACEDA & I Made Bandem, The Music of the Kenyah and the Modang, Kalimantan Timur, 33RPM, Unesco, University of the Philippines, Quezon City ; - 1982, Revel-Macdonald, Nicole‘Masks in Kalimantan Timur’, Mask II, The World of Music, Berlin. International Institute for Comparative Music Studies and Documentation, pp. 52-57. - 1988, Revel-Macdonald, Nicole‘The Dayaks : On the Ancestors, the Dead and the Living’, Islands and Ancestors, J.P. Barbier and D. Newton (eds), The Metropolitan Museum of Art, New-York, pp. 66-85 and pp. 240-257.
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Tapes digitized and archived at CREM (CNRS, Nanterre) by Nicole Revel in 2010.
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In Copyright. Non-Commercial Use Permitted
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For any use, please contact the CREM-LESC (CNRS, Nanterre University, France): crem.lesc[at]cnrs.fr ; See information at https://archives.crem-cnrs.fr
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Magnetic tape
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Copy
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CNRSMH_I_2010_006_006_05
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SEAH_CNRSMH_I_2010_006_006_05
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