Taba' Banyut, rhythmic accompaniment of the soul (Bumbulan 2nd night)
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en
Taba' Banyut, rhythmic accompaniment of the soul (Bumbulan 2nd night)
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fr
Taba' Banyut, rythmique d'accompagnement de l'âme (Bumbulan 2ème nuit)
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id
Taba' Banyut, irama pengiring jiwa (Bumbulan malam ke 2)
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en
Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Also called dondoronak.
Composition: 6 instrumentalists2 on tawak 1 and 2, 1 on galentang, 1 playing 2 babandi gongs, 1 kangkuang slot drum, 1 tuung cylindrical drum. The cycle is repeated three times.
Over the three cycles, each time, the tempo slows down by half. They drink again before playing.
It is the strike which sends the dead to his grave or which drives the body. These strikes are reserved for those who have done Gawai.
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fr
Enregistrements sonores inédits réalisés en Indonésie (West Kalimantan) en 1997 par Dana Rappoport, auprès des populations Dayak Taman, Iban, Kayan Mendalam. Appelé aussi dondoronak.
Composition: 6 instrumentistes2 aux tawak 1 et 2, 1 au galentang, 1 jouant 2 gongs babandi, 1 tambour à fente kangkuang, 1 tambour cylindrique tuung. Le cycle est répété trois fois.
Sur les trois cycles, à chaque fois, le tempo ralentit de moitié. Ils reboivent avant de jouer.
C'est la frappe qui envoie le mort à sa tombe ou qui conduit le corps. Ces frappes sont réservées à ceux qui ont fait le Gawai.
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id
Rekaman dibuat di Indonesia (Kalimantan Barat) pada tahun 1997 oleh Dana Rappoport, dalam masyarakat Mendalam Dayak Taman, Iban, Kayan. Disebut juga dondoronak.
Kelompok : 6 pemain2 pemain tawak 1 dan 2, 1 pemain galentang, 1 pemain memainkan 2 buah gong babandi, 1 buah gendang slot kangkuang, 1 buah gendang tuung berbentuk silinder. Siklus ini diulang tiga kali.
Selama tiga siklus, setiap kali tempo melambat setengahnya. Mereka minum lagi sebelum bermain.
Ini adalah serangan yang mengirim orang mati ke kuburnya atau yang mendorong tubuh. Pemogokan ini diperuntukkan bagi mereka yang telah melakukan Gawai.
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en
2nd night of a six-day ritual (Gawai Mamandung ritual). This day is called Bumbulan. Repeated structure of the ritual sequences:
1) opening by the singers
2) gong: introductory ritual opening
3) descent of the men and women of the house, they will dance around the cages to the sound of the manjaratun
4) the rest of the night goes by to the sound of the piece gulembang.
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00:11:41
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1997-08-08
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2011
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Dayak Taman
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Kampung Lunsa Hilir, kecamatan Putussibau, kabupaten Kapuas ulu, West Kalimantan
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Taman
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Music (Vocal and instrumental)
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English
Field recording
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Indonesia: West Kalimantan, 1997, D. Rappoport
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RappoportPercussions des Taman, in revue Percussions, n° 59, vol IX/5, 1998.
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Archived at CREM, CNRS in 2011 by D. Rappoport
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For any use, please contact the CREM-LESC (CNRS, Nanterre University, France): see information at https://archives.crem-cnrs.fr
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English
Digital Audio Tape
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original
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CNRSMH_I_2011_016_003_12
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SEAH_CNRSMH_I_2011_016_003_12
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