Taba' Popo', gong chime, funerary rhythm (Bumbulan 1st night)

Archivist's Original Title
en Taba' Popo', gong chime, funerary rhythm (Bumbulan 1st night)
fr Taba' Popo', ensemble de gongs, rythmique funéraire (Bumbulan 1ère nuit)
id Taba' Popo', rangkaian gong, irama pemakaman (Bumbulan malam ke-1)
Original description
en Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. funeral rhythm in three beats, also called taba' kolak kolak or kokolak. composition: kangkuang, tuung, babandi, 4 gong garantung. This is the rhythm of the Gawai to repeat the funeral strike. Because he has already done a Gawai, we play this rhythm for him. Kolak kolak comes from the sound of the rooster.
Kangkuang+tuung+ babandi = in unison, one strike, the garantung strikes three strikes
fr Enregistrements sonores inédits réalisés en Indonésie (West Kalimantan) en 1997 par Dana Rappoport, auprès des populations Dayak Taman, Iban, Kayan Mendalam. rythmique funéraire à trois temps, appelée aussi taba' kolak kolak ou kokolak. composition: kangkuang, tuung, babandi, 4 gong garantung. C'est le rythme du Gawai pour répéter la frappe funéraire. Parce qu'il a déjà fait un Gawai, on lui joue ce rythme là. Kolak kolak vient du bruit du coq.
Kangkuang+tuung+ babandi = à l'unisson, une seule frappe, le garantung frappe trois coups
id Rekaman dibuat di Indonesia (Kalimantan Barat) pada tahun 1997 oleh Dana Rappoport, dalam masyarakat Mendalam Dayak Taman, Iban, Kayan. Irama pemakaman dalam tiga ketukan, disebut juga taba' kolak kolak atau kokolak. Kelompok: kangkuang, tuung, babandi, 4 gong garantung. Inilah ritme Gawai yang mengulangi aksi mogok pemakaman. Karena dia sudah melakukan Gawai, kami memainkan ritme ini untuknya. Kolak kolak berasal dari suara ayam jago.
Kangkuang+tuung+ babandi = serempak, satu pukulan, garantung memukul tiga pukulan
SEA Annotations
en 1st day of a six-day ritual (Gawai Mamandung ritual). This day is called Bumbulan. 8:30 p.m., in the longhouse
Time duration
en 00:13:13
MetadataURL
http://archives.crem-cnrs.fr/archives/items/34541/
Recording date of the original material
en 1997-08-07
Acquisition Date
en 2011
Population
en Dayak Taman
Place of the cultural origin
Lunsa Hilir
Country Name
Indonesia
Recording place
en Kampung Lunsa Hilir, kecamatan Putussibau, kabupaten Kapuas ulu, Kalimantan
Resource Language
en Taman
Archivist Category
en Music (Vocal)
Recording context
English Field recording
Collector
Dana Rappoport
Name of original Collection
en Indonesia: West Kalimantan, 1997, D. Rappoport
Collection source citation
Indonesia : West Kalimantan, D. Rappoport, 1997
Related material
http://archives.crem-cnrs.fr/archives/collections/5373/
External reference
en RappoportPercussions des Taman, in revue Percussions, n° 59, vol IX/5, 1998.
History of ownership
en Archived at CREM, CNRS in 2011 by D. Rappoport
Holding Institution of Original Materials
Bibliothèque nationale de France
Licensing Institution
Centre National de la Recherche Scientifique
Accessing Institutions
Centre de Recherche en Ethnomusicologie (LESC, CNRS)
Copyright Information
In Copyright. Non-Commercial Use Permitted
Copyright Notice
For any use, please contact the CREM-LESC (CNRS, Nanterre University, France): see information at https://archives.crem-cnrs.fr
Physical format
English Digital Audio Tape
Preservation State of Physical Object
en original
Original item number
en CNRSMH_I_2011_016_002_18
SEAH Identifier
en SEAH_CNRSMH_I_2011_016_002_18
Location
Media
CNRSMH_I_2011_016_002_18