Protestant hymn Heer ik hoor van rijke zegen
Field recording made around 1930 by Pastor Pieter Middelkoop in Central Timor
Missionaries, including Pieter Middelkoop (front right) in the 1930s, presumably on Timor
Indonesia : Timor, J. Kunst, P. Middelkoop, 1932
see Letter to Karl Halusa 5 May 1936 Duplicate set of nrs 312-316 (yamomo&Titus 2021)
Kunst Indonesia: numbers 323 to 327 that represent music from assistant pastor mr Middelkoop in Kapan, Central Timor in 1930. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
Use of the recorded material of the Jaap Kunst Collection is restricted by 1.) the third amendment to the Indonesian Constitution that recognizes the rights of Indigenous Peoples in Article 18b-2, 2.) the recognition of rights of the peoples known as Masyarakat adat or Masyarakat hukum adat in recent Indonesian legislation, and 3.) Indonesian National Cultural Heritage Laws as phrased in the UNESCO World Heritage Convention. Consequences of any violation of these laws are for the responsibility of the user, not of the Jaap Kunst Foundation.
VII_W_3107_Kunst_Indonesien_326_Alte_Kopie (326 (15))
VII_W_3107_Kunst_Indonesien_326_Alte_Kopie (326 (14))
Field recording made in 1933 by Father Jan Verschueren in Papua
Music
Indonesia : Papua, J. Kunst, J. Verschueren, 1932-1933
Waigeo, kampong Urbanisopen, singen voor de gramophone
Kunst Indonesia: numbers 317 to 322 represent recordings by missionary Father Verschueren in Papua in 1933. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
see Letter to Marius Schneider 26 November 1936
see Letter to Karl Halusa 5 May 1936 Duplicate set of nrs 323-327 (yamomo&Titus 2021)
Kunst Indonesia: numbers 312 to 316 that represent music from assistant pastor mr Middelkoop in Kapan, Central Timor in 1930. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
Spoken voice : recited
MING 149 ME 28, see letter 12 March 1933
Kunst Indonesia: numbers 308a to 311d represent recordings by missionary Father Verschueren in Merauke in 1933. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_311_Alte_Kopie (311d)
MING 149 ME 27, see letter 12 March 1933
VII_W_3107_Kunst_Indonesien_311_Alte_Kopie (311c)
MING 150 ME 31, see letter 12 March 1933
VII_W_3107_Kunst_Indonesien_311_Alte_Kopie (311b)
MING 150 ME 30, see letter 12 March 1933
VII_W_3107_Kunst_Indonesien_311_Alte_Kopie (311a)
MING 154 ME 44, see letter 12 March 1933
VII_W_3107_Kunst_Indonesien_310_Alte_Kopie (310d)
MING 153 ME 43, see letter 12 March 1933
VII_W_3107_Kunst_Indonesien_310_Alte_Kopie (310c)
MING 153 ME 42, see letter 12 March 1933
VII_W_3107_Kunst_Indonesien_310_Alte_Kopie (310b)
MING 153 ME 41, see letter 12 March 1933
VII_W_3107_Kunst_Indonesien_310_Alte_Kopie (310a)
MING 148 ME 24, see letter 12 March 1933
VII_W_3107_Kunst_Indonesien_309_Alte_Kopie (309c)
MING 148 ME 23 (NB Kunst refers to this example as 309I, but it can be heard second on the cylinder [309II/b])
VII_W_3107_Kunst_Indonesien_309_Alte_Kopie (309b)
MING 148 ME 22 (NB Kunst refers to this example as 309II, but it can be heard first on the cylinder [309I/a])
VII_W_3107_Kunst_Indonesien_309_Alte_Kopie (309a)
MING 149 ME 26, see letter 12 March 1933
VII_W_3107_Kunst_Indonesien_308_Alte_Kopie (308c)
MING 147, 148 ME 21, see letter 12 March 1933
VII_W_3107_Kunst_Indonesien_308_Alte_Kopie (308b)
MING 148, 149 ME 25, see letter 12 March 1933
VII_W_3107_Kunst_Indonesien_308_Alte_Kopie (308a)
Field recording made in 1932 by Jaap Kunst in Manooi, Sorong City Island, Papua
Jaap Kunst, musicological examination of the Archaeological Service in Bandung, 1927
Kunst Indonesia: numbers 306 to 307b represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely in North Sumatra in 1932. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_307_Alte_Kopie (307b)
VII_W_3107_Kunst_Indonesien_307_Alte_Kopie (307a)
Field recording made in 1932 by Jaap Kunst in Waigéo, Papua
Recording place to check
Kunst Indonesia: number 305b represents music from expeditions of Kunst and his wife Kathy Kunst-Van Wely in Waigéo, Papua in 1932. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_305_Alte_Kopie (305b)
Kunst Indonesia: numbers 303a to 305a represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely in Manooi, Sorong City Island, Papua in 1932. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_305_Alte_Kopie (305a)
VII_W_3107_Kunst_Indonesien_304_Alte_Kopie (304c)
VII_W_3107_Kunst_Indonesien_304_Alte_Kopie (304b)
VII_W_3107_Kunst_Indonesien_304_Alte_Kopie (304a)
VII_W_3107_Kunst_Indonesien_303_Alte_Kopie (303b)
VII_W_3107_Kunst_Indonesien_303_Alte_Kopie (303a)
Kunst Indonesia: numbers 300 to 302b represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely in Waigeo, Papua in 1932. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_302_Alte_Kopie (302b)
VII_W_3107_Kunst_Indonesien_302_Alte_Kopie (302a)
Field recording made in 1932 by Jaap Kunst in Banda, Indonesia
Potret raja Maluku bersama pengawalnya sekitar akhir abad ke-19. (Wikimedia Commons).
Kunst Indonesia: number 299 represents music from expeditions of Kunst and his wife Kathy Kunst-Van Wely to Banda in 1932. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
Field recording made in 1932 by Jaap Kunst in Kai Besar, Indonesia
Kunst Indonesia: numbers 298a to 298b represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely to Kai Besar in 1932 Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_298_Alte_Kopie (298b)
VII_W_3107_Kunst_Indonesien_298_Alte_Kopie (298a)
Field recording made in 1932 by Jaap Kunst in Kai Kecil, Indonesia
Kunst Indonesia: numbers 295a to 297b represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely to Kai Kecil in 1932. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_297_Alte_Kopie (297b)
VII_W_3107_Kunst_Indonesien_297_Alte_Kopie (297a)
VII_W_3107_Kunst_Indonesien_296_Alte_Kopie (296c)
Music (Instrumental)
VII_W_3107_Kunst_Indonesien_296_Alte_Kopie (296b)
VII_W_3107_Kunst_Indonesien_296_Alte_Kopie (296a)
VII_W_3107_Kunst_Indonesien_295_Alte_Kopie (295b)
VII_W_3107_Kunst_Indonesien_295_Alte_Kopie (295a)
Field recording made in 1932 by Jaap Kunst in Timor, Indonesia
Kunst Indonesia: numbers 293 to 294 represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely in Timor in 1932. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
Field recording made in 1932 by Jaap Kunst in North Sumatra, Indonesia
Indonesia : Sumatra, J. & K. Kunst, 1931-1932
Potret perempuan Karo antara tahun 1914-1919. Hanya ilustrasi. (Tropenmuseum/Wikimedia Commons).
Kunst Indonesia: numbers 292a to 292b represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely in North Sumatra in 1932. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_292_Alte_Kopie (292b)
Bunga-bunga na angur (Song of the flagrant flower)
VII_W_3107_Kunst_Indonesien_292_Alte_Kopie (292a)
Field recording made in 1932 by Jaap Kunst in West Sumatra, Indonesia
Kunst Indonesia: numbers 289 to 291 represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely in West Sumatra in 1932. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
Maturbongs, Sadsoitubusi, Jamco I, Jamco II
Sung by four boys from the Roman Catholic boarding school. Recorded in Woloan, Minahassa, Sulawesi
Kunst Indonesia: numbers 287a to 288b represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely to Kai Kecil in 1932. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_288_Alte_Kopie (288b)
VII_W_3107_Kunst_Indonesien_288_Alte_Kopie (288a)
VII_W_3107_Kunst_Indonesien_287_Alte_Kopie (287c)
VII_W_3107_Kunst_Indonesien_287_Alte_Kopie (287b)
VII_W_3107_Kunst_Indonesien_287_Alte_Kopie (287a)
Field recording made in 1932 by Jaap Kunst in Central Sulawesi, Indonesia
Toraja (West) - near Palu in kampung Sidera
Sulawesi, Minahasa, detail of a Waruga, grave, 1932 ca, J. Kunst (photo)
Kunst Indonesia: numbers 281 to 283 represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely in Central Sulawesi in 1932. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
Toraja (West) - near Palu in kampung Bora
Field recording made in 1932 by Jaap Kunst in South Sulawesi, Indonesia
Bugis
Kunst Indonesia: numbers 269 to 280 represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely in South Sulawesi in 1932. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_274_Alte_Kopie (274b)
See letter 2 November 1932: broken in transport to Berlin?
Galong, salendro, patet manyura, ada-ada
Field recording made in 1931 by Jaap Kunst in Central Java, Indonesia
Indonesia : Java, J. & K. Kunst, 1930-1931
Kunst Indonesia: numbers 253 to 268d represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely in Central Java in 1931. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_268_Alte_Kopie (268d)
VII_W_3107_Kunst_Indonesien_268_Alte_Kopie (268c)
VII_W_3107_Kunst_Indonesien_268_Alte_Kopie (268b)
VII_W_3107_Kunst_Indonesien_268_Alte_Kopie (268a)
VII_W_3107_Kunst_Indonesien_267_Alte_Kopie (267d)
Jugag, salendro, patet manyura, suluk galong
VII_W_3107_Kunst_Indonesien_267_Alte_Kopie (267c)
Wetah, salendro, patet manyura, suluk galong
VII_W_3107_Kunst_Indonesien_267_Alte_Kopie (267b)
VII_W_3107_Kunst_Indonesien_267_Alte_Kopie (267a)
VII_W_3107_Kunst_Indonesien_266_Alte_Kopie (266c)
VII_W_3107_Kunst_Indonesien_266_Alte_Kopie (266b)
Tlutur, salendro, patet sanga (9) jugag suluk
VII_W_3107_Kunst_Indonesien_266_Alte_Kopie (266a)
VII_W_3107_Kunst_Indonesien_265_Alte_Kopie (265d)
Cekak, pelog, laras barang (7) miring, suluk
VII_W_3107_Kunst_Indonesien_265_Alte_Kopie (265c)
Jugag, pelog, laras barang (7) miring, suluk
VII_W_3107_Kunst_Indonesien_265_Alte_Kopie (265b)
VII_W_3107_Kunst_Indonesien_265_Alte_Kopie (265a)
Sendon, salendro, patet sanga (9), suluk
VII_W_3107_Kunst_Indonesien_264_Alte_Kopie (264f)
Cekak, salendro, patet sanga (9), ada-ada
VII_W_3107_Kunst_Indonesien_264_Alte_Kopie (264e)
Jugag, salendro, patet sanga (9), ada-ada
VII_W_3107_Kunst_Indonesien_264_Alte_Kopie (264d)
Wetah, salendro, patet sanga (9), ada-ada
VII_W_3107_Kunst_Indonesien_264_Alte_Kopie (264c)
Trenya, salendro, patet sanga (9), ada-ada
VII_W_3107_Kunst_Indonesien_264_Alte_Kopie (264b)
VII_W_3107_Kunst_Indonesien_263_Alte_Kopie (263c)
VII_W_3107_Kunst_Indonesien_263_Alte_Kopie (263b)
VII_W_3107_Kunst_Indonesien_263_Alte_Kopie (263a)
VII_W_3107_Kunst_Indonesien_262_Alte_Kopie (262c)
VII_W_3107_Kunst_Indonesien_262_Alte_Kopie (262b)
Plencung, salendro, patet nem (6), suluk
VII_W_3107_Kunst_Indonesien_262_Alte_Kopie (262a)
VII_W_3107_Kunst_Indonesien_261_Alte_Kopie (261c)
VII_W_3107_Kunst_Indonesien_261_Alte_Kopie (261b)
VII_W_3107_Kunst_Indonesien_261_Alte_Kopie (261a)
Music (Vocal)
VII_W_3107_Kunst_Indonesien_260_Alte_Kopie (260e)
Prang cekak, salendro, patet nem (6) ada-ada
VII_W_3107_Kunst_Indonesien_260_Alte_Kopie (260d)
Prang jugag, salendro, patet nem (6) ada-ada
VII_W_3107_Kunst_Indonesien_260_Alte_Kopie (260c)
Prang wetah, salendro, patet nem (6) ada-ada
VII_W_3107_Kunst_Indonesien_260_Alte_Kopie (260b)
VII_W_3107_Kunst_Indonesien_260_Alte_Kopie (260a)
VII_W_3107_Kunst_Indonesien_259_Alte_Kopie (259c)
VII_W_3107_Kunst_Indonesien_259_Alte_Kopie (259b)
VII_W_3107_Kunst_Indonesien_259_Alte_Kopie (259a)
Bangsa patra, salendro [?], patet 9, tembang gedhe
Field recording made in 1931 by Jaap Kunst in South Sumatra, Indonesia
Kunst Indonesia: numbers 221 to 252b represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely in South Sumatra in 1931. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_252_Alte_Kopie (252b)
VII_W_3107_Kunst_Indonesien_251_Alte_Kopie (251b)
VII_W_3107_Kunst_Indonesien_250_Alte_Kopie (250b)
VII_W_3107_Kunst_Indonesien_250_Alte_Kopie (250a)
Recorded serunai music from South Sumatra
serunai music on a wooden instrument with metal "Stürze"
VII_W_3107_Kunst_Indonesien_248_Alte_Kopie (248b)
VII_W_3107_Kunst_Indonesien_247_Alte_Kopie (247c)
VII_W_3107_Kunst_Indonesien_247_Alte_Kopie (247b)
Tari saputangan (Dance with handkerchiefs)
VII_W_3107_Kunst_Indonesien_246_Alte_Kopie (246b)
VII_W_3107_Kunst_Indonesien_245_Alte_Kopie (245b)
VII_W_3107_Kunst_Indonesien_244_Alte_Kopie (244b)
Palembang, Musi (River) Ulu - Muara Beliti (dusun baru, marga proatin V)
Anak dalem bandar Benkulu, dengan kota Petane Aceh (Kids in the harbour of Benkulu with the city of the Aceh region?)
Marriage instructions to bujang (young men) and gadis (girls)
VII_W_3107_Kunst_Indonesien_234_Alte_Kopie (234b)
VII_W_3107_Kunst_Indonesien_234_Alte_Kopie (234a)
VII_W_3107_Kunst_Indonesien_233_Alte_Kopie (233b)
VII_W_3107_Kunst_Indonesien_233_Alte_Kopie (233a)
BT: very difficult to identify texture of the music
BT: Gamelan sounds extremely far and soft
Palembang, Musi (River) Ulu - Muari Lakitan
Field recording
Wax cylinder
Kunst Indonesia: numbers 212a to 220 represent music from expeditions of Kunst in Central Java 1931. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
Military band Daheng of the State Governer with puwi-puwi
VII_W_3107_Kunst_Indonesien_217_Alte_Kopie (217b)
VII_W_3107_Kunst_Indonesien_217_Alte_Kopie (217a)
VII_W_3107_Kunst_Indonesien_216_Alte_Kopie (216b)
VII_W_3107_Kunst_Indonesien_216_Alte_Kopie (216a)
VII_W_3107_Kunst_Indonesien_215_Alte_Kopie (215c)
VII_W_3107_Kunst_Indonesien_215_Alte_Kopie (215b)
VII_W_3107_Kunst_Indonesien_215_Alte_Kopie (215a)
VII_W_3107_Kunst_Indonesien_214_Alte_Kopie (214d)
VII_W_3107_Kunst_Indonesien_214_Alte_Kopie (214c)
VII_W_3107_Kunst_Indonesien_214_Alte_Kopie (214b)
VII_W_3107_Kunst_Indonesien_214_Alte_Kopie (214a)
VII_W_3107_Kunst_Indonesien_213_Alte_Kopie (213d)
VII_W_3107_Kunst_Indonesien_213_Alte_Kopie (213c)
VII_W_3107_Kunst_Indonesien_213_Alte_Kopie (213b)
VII_W_3107_Kunst_Indonesien_213_Alte_Kopie (213a)
Military band Patang pulu or Kawang dasa
VII_W_3107_Kunst_Indonesien_212_Alte_Kopie (212d)
VII_W_3107_Kunst_Indonesien_212_Alte_Kopie (212c)
VII_W_3107_Kunst_Indonesien_212_Alte_Kopie (212b)
VII_W_3107_Kunst_Indonesien_212_Alte_Kopie (212a)
Field recording made in 1931 by Kiny Kunst-Van Wely in West Java, Indonesia
Kunst Indonesia: numbers 205a to 211 represent West Javanese and North Sumatran music from an expedition made by Kathy Kunst-Van Wely in Western Java. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_210_Alte_Kopie (210c)
VII_W_3107_Kunst_Indonesien_206_Alte_Kopie (206b)
Field recording made in 1931 by Kathy Kunst-Van Wely in West Java, Indonesia
VII_W_3107_Kunst_Indonesien_206_Alte_Kopie (206a)
VII_W_3107_Kunst_Indonesien_205_Alte_Kopie (205b)
VII_W_3107_Kunst_Indonesien_205_Alte_Kopie (205a)
Arjuno manangis, degung, patet nem (6) [continuation of 204c
Field recording made in 1930 by Jaap Kunst in West Java, Indonesia
Melody in style of Sumedang. Ornaments influenced by Cianjur style. Sung in the original form (buhun). Rebab version.
Kunst Indonesia: numbers 198a to 204d represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely in West Java in 1930. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_204_Alte_Kopie (204d)
Arjuno manangis, madenda, patet nem (6) / End / Salendro madenda manangis
VII_W_3107_Kunst_Indonesien_204_Alte_Kopie (204c)
VII_W_3107_Kunst_Indonesien_204_Alte_Kopie (204b)
Gedong duwur, salendro jawar, patet nem (6)
VII_W_3107_Kunst_Indonesien_204_Alte_Kopie (204a)
Solong tongen, salendro jawar, patet nem (6)
Melody in style of Sumedang. Ornaments influenced by Cianjur style. Sung in the original form (buhun). Rebab version. [Heins: Solotongan]
VII_W_3107_Kunst_Indonesien_203_Alte_Kopie (203d)
Renggong Sumedang, salendro jawar, patet nem (6)
VII_W_3107_Kunst_Indonesien_203_Alte_Kopie (203c)
lagu kakawin Gatotkaca, salendro jawar, patet nem (6)
VII_W_3107_Kunst_Indonesien_203_Alte_Kopie (203b)
VII_W_3107_Kunst_Indonesien_203_Alte_Kopie (203a)
Melody in style of Sumedang. Ornaments influenced by Cianjur style. Sung in the original form (buhun).
VII_W_3107_Kunst_Indonesien_202_Alte_Kopie (202f)
VII_W_3107_Kunst_Indonesien_202_Alte_Kopie (202e)
Melody in style of Sumedang. Ornaments influenced by Cianjur style. Sung in the original form (buhun). Ornamented version.
VII_W_3107_Kunst_Indonesien_202_Alte_Kopie (202d)
Melody in style of Sumedang. Ornaments influenced by Cianjur style. Sung in the original form (buhun). Simple version.
VII_W_3107_Kunst_Indonesien_202_Alte_Kopie (202c)
VII_W_3107_Kunst_Indonesien_202_Alte_Kopie (202b)
VII_W_3107_Kunst_Indonesien_202_Alte_Kopie (202a)
VII_W_3107_Kunst_Indonesien_201_Alte_Kopie (201f)
VII_W_3107_Kunst_Indonesien_201_Alte_Kopie (201e)
VII_W_3107_Kunst_Indonesien_201_Alte_Kopie (201d)
VII_W_3107_Kunst_Indonesien_201_Alte_Kopie (201c)
VII_W_3107_Kunst_Indonesien_201_Alte_Kopie (201b)
VII_W_3107_Kunst_Indonesien_201_Alte_Kopie (201a)
VII_W_3107_Kunst_Indonesien_200_Alte_Kopie (200c)
VII_W_3107_Kunst_Indonesien_200_Alte_Kopie (200b)
Dangdang gula, pelog jawar, patet nem (6)
VII_W_3107_Kunst_Indonesien_200_Alte_Kopie (200a)
VII_W_3107_Kunst_Indonesien_199_Alte_Kopie (199c)
VII_W_3107_Kunst_Indonesien_199_Alte_Kopie (199b)
VII_W_3107_Kunst_Indonesien_198_Alte_Kopie (198f)
VII_W_3107_Kunst_Indonesien_198_Alte_Kopie (198e)
VII_W_3107_Kunst_Indonesien_198_Alte_Kopie (198d)
VII_W_3107_Kunst_Indonesien_198_Alte_Kopie (198c)
VII_W_3107_Kunst_Indonesien_198_Alte_Kopie (198b)
Field recording made in 1930 by Jaap Kunst in Flores, Indonesia
(recording failed due to fungus on the cylinder)
Kunst Indonesia: numbers 122 to 197c represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely to Flores in 1930. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_197_Alte_Kopie (197c)
VII_W_3107_Kunst_Indonesien_197_Alte_Kopie (197b)
VII_W_3107_Kunst_Indonesien_197_Alte_Kopie (197a)
VII_W_3107_Kunst_Indonesien_194_Alte_Kopie (194c)
VII_W_3107_Kunst_Indonesien_194_Alte_Kopie (194b)
VII_W_3107_Kunst_Indonesien_194_Alte_Kopie (194a)
VII_W_3107_Kunst_Indonesien_193_Alte_Kopie (193c)
VII_W_3107_Kunst_Indonesien_193_Alte_Kopie (193b)
VII_W_3107_Kunst_Indonesien_193_Alte_Kopie (193a)
VII_W_3107_Kunst_Indonesien_192_Alte_Kopie (192b)
VII_W_3107_Kunst_Indonesien_189_Alte_Kopie (189b)
VII_W_3107_Kunst_Indonesien_189_Alte_Kopie (189a)
VII_W_3107_Kunst_Indonesien_187_Alte_Kopie (187c)
VII_W_3107_Kunst_Indonesien_187_Alte_Kopie (187b)
VII_W_3107_Kunst_Indonesien_187_Alte_Kopie (187a)
VII_W_3107_Kunst_Indonesien_186_Alte_Kopie (186c)
VII_W_3107_Kunst_Indonesien_186_Alte_Kopie (186b)
VII_W_3107_Kunst_Indonesien_186_Alte_Kopie (186a)
VII_W_3107_Kunst_Indonesien_185_Alte_Kopie (185c)
VII_W_3107_Kunst_Indonesien_185_Alte_Kopie (185b)
VII_W_3107_Kunst_Indonesien_185_Alte_Kopie (185a)
VII_W_3107_Kunst_Indonesien_184_Alte_Kopie (184c)
VII_W_3107_Kunst_Indonesien_184_Alte_Kopie (184b)
VII_W_3107_Kunst_Indonesien_184_Alte_Kopie (184a)
VII_W_3107_Kunst_Indonesien_183_Alte_Kopie (183c)
VII_W_3107_Kunst_Indonesien_183_Alte_Kopie (183b)
VII_W_3107_Kunst_Indonesien_183_Alte_Kopie (183a)
VII_W_3107_Kunst_Indonesien_182_Alte_Kopie (182c)
VII_W_3107_Kunst_Indonesien_182_Alte_Kopie (182b)
VII_W_3107_Kunst_Indonesien_182_Alte_Kopie (182a)
VII_W_3107_Kunst_Indonesien_181_Alte_Kopie (181b)
VII_W_3107_Kunst_Indonesien_181_Alte_Kopie (181a)
VII_W_3107_Kunst_Indonesien_180_Alte_Kopie (180d)
VII_W_3107_Kunst_Indonesien_180_Alte_Kopie (180c)
VII_W_3107_Kunst_Indonesien_180_Alte_Kopie (180b)
VII_W_3107_Kunst_Indonesien_180_Alte_Kopie (180a)
Marriage intentions of a woman wanting to rise in the social hierarchy
VII_W_3107_Kunst_Indonesien_175_Alte_Kopie (175b)
VII_W_3107_Kunst_Indonesien_175_Alte_Kopie (175a)
VII_W_3107_Kunst_Indonesien_174_Alte_Kopie (174b)
VII_W_3107_Kunst_Indonesien_172_Alte_Kopie (172b)
VII_W_3107_Kunst_Indonesien_172_Alte_Kopie (172a)
VII_W_3107_Kunst_Indonesien_170_Alte_Kopie (170c)
VII_W_3107_Kunst_Indonesien_170_Alte_Kopie (170b)
VII_W_3107_Kunst_Indonesien_170_Alte_Kopie (170a)
VII_W_3107_Kunst_Indonesien_169_Alte_Kopie (169c)
Mocking and provoking song (spot- en uitdaag"fanfare")
VII_W_3107_Kunst_Indonesien_169_Alte_Kopie (169b)
VII_W_3107_Kunst_Indonesien_169_Alte_Kopie (169a)
VII_W_3107_Kunst_Indonesien_168_Alte_Kopie (168e)
VII_W_3107_Kunst_Indonesien_168_Alte_Kopie (168d)
VII_W_3107_Kunst_Indonesien_168_Alte_Kopie (168c)
VII_W_3107_Kunst_Indonesien_168_Alte_Kopie (168b)
VII_W_3107_Kunst_Indonesien_168_Alte_Kopie (168a)
VII_W_3107_Kunst_Indonesien_167_Alte_Kopie (167b)
VII_W_3107_Kunst_Indonesien_167_Alte_Kopie (167a)
VII_W_3107_Kunst_Indonesien_166_Alte_Kopie (166b)
A song indignantly mocking the headman of another village
VII_W_3107_Kunst_Indonesien_166_Alte_Kopie (166a)
Taram
VII_W_3107_Kunst_Indonesien_165_Alte_Kopie (165c)
Weki seonselot (If the body is small...)
VII_W_3107_Kunst_Indonesien_165_Alte_Kopie (165b)
VII_W_3107_Kunst_Indonesien_165_Alte_Kopie (165a)
VII_W_3107_Kunst_Indonesien_164_Alte_Kopie (164d)
VII_W_3107_Kunst_Indonesien_164_Alte_Kopie (164c)
VII_W_3107_Kunst_Indonesien_164_Alte_Kopie (164b)
VII_W_3107_Kunst_Indonesien_164_Alte_Kopie (164a)
Linggang la'u (Quick to the sea [i.e. The North])
VII_W_3107_Kunst_Indonesien_163_Alte_Kopie (163b)
VII_W_3107_Kunst_Indonesien_163_Alte_Kopie (163a)
VII_W_3107_Kunst_Indonesien_162_Alte_Kopie (162 bis b (corresponds with list Ziegler))
VII_W_3107_Kunst_Indonesien_162_Alte_Kopie (162 bis a (corresponds with list Ziegler))
VII_W_3107_Kunst_Indonesien_162_Alte_Kopie (162e)
Not in Kunst's list - allegedly too soft
VII_W_3107_Kunst_Indonesien_162_Alte_Kopie (162d)
VII_W_3107_Kunst_Indonesien_162_Alte_Kopie (162c)
VII_W_3107_Kunst_Indonesien_162_Alte_Kopie (162b)
VII_W_3107_Kunst_Indonesien_162_Alte_Kopie (162a)
VII_W_3107_Kunst_Indonesien_161_Alte_Kopie (161b)
VII_W_3107_Kunst_Indonesien_161_Alte_Kopie (161a)
Complaint of a woman about her unfaithful husband.
VII_W_3107_Kunst_Indonesien_160_Alte_Kopie (160c)
VII_W_3107_Kunst_Indonesien_160_Alte_Kopie (160b)
A song about mutual love between the partners of two couples. Later they return to their own partners.
VII_W_3107_Kunst_Indonesien_160_Alte_Kopie (160a)
VII_W_3107_Kunst_Indonesien_158_Alte_Kopie (158b)
VII_W_3107_Kunst_Indonesien_158_Alte_Kopie (158a)
VII_W_3107_Kunst_Indonesien_157_Alte_Kopie (157b)
VII_W_3107_Kunst_Indonesien_157_Alte_Kopie (157a)
VII_W_3107_Kunst_Indonesien_155_Alte_Kopie (155b)
VII_W_3107_Kunst_Indonesien_153_Alte_Kopie (153b)
VII_W_3107_Kunst_Indonesien_153_Alte_Kopie (153a)
VII_W_3107_Kunst_Indonesien_152_Alte_Kopie (152b)
VII_W_3107_Kunst_Indonesien_152_Alte_Kopie (152a)
VII_W_3107_Kunst_Indonesien_151_Alte_Kopie (151b)
VII_W_3107_Kunst_Indonesien_151_Alte_Kopie (151a)
VII_W_3107_Kunst_Indonesien_150_Alte_Kopie (150b)
VII_W_3107_Kunst_Indonesien_150_Alte_Kopie (150a)
VII_W_3107_Kunst_Indonesien_149_Alte_Kopie (149b)
VII_W_3107_Kunst_Indonesien_149_Alte_Kopie (149a)
Kea nuka kamba (The buffalo climbs the mountain)
VII_W_3107_Kunst_Indonesien_148_Alte_Kopie (148b)
VII_W_3107_Kunst_Indonesien_148_Alte_Kopie (148a)
VII_W_3107_Kunst_Indonesien_147_Alte_Kopie (147c)
Maë ke nangu (You're not allowed to cry)
VII_W_3107_Kunst_Indonesien_147_Alte_Kopie (147b)
VII_W_3107_Kunst_Indonesien_147_Alte_Kopie (147a)
VII_W_3107_Kunst_Indonesien_146_Alte_Kopie (146d)
VII_W_3107_Kunst_Indonesien_146_Alte_Kopie (146c)
La'u Tonda naka nola (Tonda's father is a real thief)
VII_W_3107_Kunst_Indonesien_146_Alte_Kopie (146b)
VII_W_3107_Kunst_Indonesien_146_Alte_Kopie (146a)
Song when the building of the house is finished
VII_W_3107_Kunst_Indonesien_144_Alte_Kopie (144e)
VII_W_3107_Kunst_Indonesien_144_Alte_Kopie (144d)
VII_W_3107_Kunst_Indonesien_144_Alte_Kopie (144c)
VII_W_3107_Kunst_Indonesien_144_Alte_Kopie (144b)
VII_W_3107_Kunst_Indonesien_144_Alte_Kopie (144a)
VII_W_3107_Kunst_Indonesien_143_Alte_Kopie (143d)
VII_W_3107_Kunst_Indonesien_143_Alte_Kopie (143c)
VII_W_3107_Kunst_Indonesien_143_Alte_Kopie (143b)
VII_W_3107_Kunst_Indonesien_143_Alte_Kopie (143a)
VII_W_3107_Kunst_Indonesien_142_Alte_Kopie (142e)
VII_W_3107_Kunst_Indonesien_142_Alte_Kopie (142d)
VII_W_3107_Kunst_Indonesien_142_Alte_Kopie (142c)
VII_W_3107_Kunst_Indonesien_142_Alte_Kopie (142b)
VII_W_3107_Kunst_Indonesien_142_Alte_Kopie (142a)
VII_W_3107_Kunst_Indonesien_141_Alte_Kopie (141b)
VII_W_3107_Kunst_Indonesien_141_Alte_Kopie (141a)
VII_W_3107_Kunst_Indonesien_140_Alte_Kopie (140b)
VII_W_3107_Kunst_Indonesien_140_Alte_Kopie (140a)
VII_W_3107_Kunst_Indonesien_139_Alte_Kopie (139c)
VII_W_3107_Kunst_Indonesien_139_Alte_Kopie (139b)
VII_W_3107_Kunst_Indonesien_139_Alte_Kopie (139a)
Re'e Kumi babo (Kumi, the evil grandfather)
VII_W_3107_Kunst_Indonesien_138_Alte_Kopie (138d)
VII_W_3107_Kunst_Indonesien_138_Alte_Kopie (138c)
VII_W_3107_Kunst_Indonesien_138_Alte_Kopie (138b)
VII_W_3107_Kunst_Indonesien_138_Alte_Kopie (138a)
VII_W_3107_Kunst_Indonesien_137_Alte_Kopie (137c)
VII_W_3107_Kunst_Indonesien_137_Alte_Kopie (137b)
VII_W_3107_Kunst_Indonesien_137_Alte_Kopie (137a)
VII_W_3107_Kunst_Indonesien_136_Alte_Kopie (136b)
VII_W_3107_Kunst_Indonesien_136_Alte_Kopie (136a)
VII_W_3107_Kunst_Indonesien_134_Alte_Kopie (134d)
VII_W_3107_Kunst_Indonesien_134_Alte_Kopie (134c)
VII_W_3107_Kunst_Indonesien_134_Alte_Kopie (134b)
VII_W_3107_Kunst_Indonesien_134_Alte_Kopie (134a)
VII_W_3107_Kunst_Indonesien_133_Alte_Kopie (133c)
VII_W_3107_Kunst_Indonesien_133_Alte_Kopie (133b)
VII_W_3107_Kunst_Indonesien_133_Alte_Kopie (133a)
VII_W_3107_Kunst_Indonesien_132_Alte_Kopie (132b)
VII_W_3107_Kunst_Indonesien_132_Alte_Kopie (132a)
VII_W_3107_Kunst_Indonesien_130_Alte_Kopie (130b)
wedding song (Lamsweerde) or akkerwiedlied (Ziegler)
VII_W_3107_Kunst_Indonesien_130_Alte_Kopie (130a)
VII_W_3107_Kunst_Indonesien_127_Alte_Kopie (127c)
VII_W_3107_Kunst_Indonesien_127_Alte_Kopie (127b)
VII_W_3107_Kunst_Indonesien_127_Alte_Kopie (127a)
VII_W_3107_Kunst_Indonesien_126_Alte_Kopie (126c)
VII_W_3107_Kunst_Indonesien_126_Alte_Kopie (126b)
Enga
VII_W_3107_Kunst_Indonesien_126_Alte_Kopie (126a)
VII_W_3107_Kunst_Indonesien_124_Alte_Kopie (124d)
Jara hi'e rere kekerike (The horse neighs in de village Kekere)
VII_W_3107_Kunst_Indonesien_124_Alte_Kopie (124c)
VII_W_3107_Kunst_Indonesien_124_Alte_Kopie (124b)
VII_W_3107_Kunst_Indonesien_124_Alte_Kopie (124a)
VII_W_3107_Kunst_Indonesien_123_Alte_Kopie (123e)
VII_W_3107_Kunst_Indonesien_123_Alte_Kopie (123d)
VII_W_3107_Kunst_Indonesien_123_Alte_Kopie (123c)
VII_W_3107_Kunst_Indonesien_123_Alte_Kopie (123b)
VII_W_3107_Kunst_Indonesien_123_Alte_Kopie (123a)
Field recording made in 1930 by Jaap Kunst in Sumba, Indonesia
Kunst Indonesia: numbers 120 to 121 represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely to Sumba in 1930. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
Field Recording made by Jaap Kunst in South Papua, Indonesia
Kunst Indonesia: numbers 118 to 119 represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely to South Papua. Wax-roll copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
Field Recording made in 1930 by Jaap Kunst in Nias, Indonesia
Kunst Indonesia: numbers 73a to 117 represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely to the island of Nias. Wax-roll copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
Berani, Moni, Aluwi, Nifoata, Jofu, Samasana
aanv. m. Fangoehoege. Remark Albrecht Wiedmann: "Übertragen mit halbe Geschwindigkeit und Korrektur im Komputer"
VII_W_3107_Kunst_Indonesien_100_Alte_Kopie (100 (3147))
VII_W_3107_Kunst_Indonesien_100_Alte_Kopie (100 (3146))
VII_W_3107_Kunst_Indonesien_95_Alte_Kopie (95b)
VII_W_3107_Kunst_Indonesien_95_Alte_Kopie (95a)
Tandralulu'ö (tuhenöri [village head] of daro-daro, Köbahunota
VII_W_3107_Kunst_Indonesien_92_Alte_Kopie (92b)
Song of consolation at a death, gezang, waardoor men bij een sterfgeval weer getroost geraakt
VII_W_3107_Kunst_Indonesien_92_Alte_Kopie (92a)
When this file is accessed using the map of the homepage...
VII_W_3107_Kunst_Indonesien_91_Alte_Kopie (91b)
VII_W_3107_Kunst_Indonesien_91_Alte_Kopie (91a)
VII_W_3107_Kunst_Indonesien_89_Alte_Kopie (89b)
VII_W_3107_Kunst_Indonesien_89_Alte_Kopie (89a)
VII_W_3107_Kunst_Indonesien_88_Alte_Kopie (88b)
VII_W_3107_Kunst_Indonesien_88_Alte_Kopie (88a)
VII_W_3107_Kunst_Indonesien_87_Alte_Kopie (87b)
VII_W_3107_Kunst_Indonesien_87_Alte_Kopie (87a)
Maira'ana'a and a chorus of two other male singers
VII_W_3107_Kunst_Indonesien_85_Alte_Kopie (85c)
VII_W_3107_Kunst_Indonesien_85_Alte_Kopie (85b)
VII_W_3107_Kunst_Indonesien_85_Alte_Kopie (85a)
VII_W_3107_Kunst_Indonesien_84_Alte_Kopie (84c)
VII_W_3107_Kunst_Indonesien_84_Alte_Kopie (84b)
VII_W_3107_Kunst_Indonesien_84_Alte_Kopie (84a)
VII_W_3107_Kunst_Indonesien_79_Alte_Kopie (79b)
VII_W_3107_Kunst_Indonesien_79_Alte_Kopie (79a)
VII_W_3107_Kunst_Indonesien_75_Alte_Kopie (75b)
VII_W_3107_Kunst_Indonesien_75_Alte_Kopie (75a)
VII_W_3107_Kunst_Indonesien_73_Alte_Kopie (73b)
VII_W_3107_Kunst_Indonesien_73_Alte_Kopie (73a)
Field Recording made in 1930 by Jaap Kunst at Hinako, Indonesia
Kunst Indonesia: numbers 70a to 73b represent music from expeditions of Kunst en his wife Kathy Kunst-Van Wely to the municipality of Hinako, Northern Sumatra. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_72_Alte_Kopie (72b)
VII_W_3107_Kunst_Indonesien_72_Alte_Kopie (72a)
VII_W_3107_Kunst_Indonesien_71_Alte_Kopie (71b)
VII_W_3107_Kunst_Indonesien_71_Alte_Kopie (71a)
VII_W_3107_Kunst_Indonesien_70_Alte_Kopie (70b)
VII_W_3107_Kunst_Indonesien_70_Alte_Kopie (70a)
Field Recording made in 1930 by Jaap Kunst at Batu, Indonesia
Kunst Indonesia: numbers 68a to 69b represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely to the municipality of Batu, Eastern Java. Wax-roll copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_69_Alte_Kopie (69b)
Kunst Indonesia: numbers 68a to 69b represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely in Batu, South of Nias. Wax-roll copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_69_Alte_Kopie (69a)
Kunst Indonesia: numbers 68a to 69b represent music from expeditions of Kunst and his wife Kathy Kunst-Van Wely at Batu, South of Nias. Wax-roll copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
VII_W_3107_Kunst_Indonesien_68_Alte_Kopie (68b)
VII_W_3107_Kunst_Indonesien_68_Alte_Kopie (68a)
Field Recording at the Fourth Pan-Pacific Congress and Ethnographic Exhibition, Weltevreden, Jakarta, May 1929 (Bali, Indonesia)
Indonesia : Weltevreden (Jakarta), Exhibition,1929
Bambou instrument, South Bali, Gianyar, 1939 (Photo J. Kunst)
Kunst Indonesia: number 1-67 represent music from various parts of Indonesia, recorded during 4th Pan-Pacific Congress and Ethnographic Exhibition in Weltevreden, 2 May 1929. Wax-role copies in depot Tropenmuseum – not accessible. DAT copies at Beeld en Geluid – digitized (this information based on inventory October 2018).
Field Recording at the Fourth Pan-Pacific Congress and Ethnographic Exhibition, Weltevreden, Jakarta, May 1929 (Papua)
VII_W_3107_Kunst_Indonesien_65_Alte_Kopie (65c)
VII_W_3107_Kunst_Indonesien_65_Alte_Kopie (65b)
VII_W_3107_Kunst_Indonesien_65_Alte_Kopie (65a)
VII_W_3107_Kunst_Indonesien_64_Alte_Kopie (64b)
VII_W_3107_Kunst_Indonesien_64_Alte_Kopie (64a)
VII_W_3107_Kunst_Indonesien_63_Alte_Kopie (63b)
VII_W_3107_Kunst_Indonesien_63_Alte_Kopie (63a)
VII_W_3107_Kunst_Indonesien_60_Alte_Kopie (60b)
VII_W_3107_Kunst_Indonesien_60_Alte_Kopie (60a)
song of male relatives of the bride, allowing the groom to marry, provided he pays the brideprice MING 93 XV
VII_W_3107_Kunst_Indonesien_59_Alte_Kopie (59b)
VII_W_3107_Kunst_Indonesien_59_Alte_Kopie (59a)
VII_W_3107_Kunst_Indonesien_58_Alte_Kopie (58b)
VII_W_3107_Kunst_Indonesien_58_Alte_Kopie (58a)
VII_W_3107_Kunst_Indonesien_57_Alte_Kopie (57b)
VII_W_3107_Kunst_Indonesien_57_Alte_Kopie (57a)
Sobey / Armati / Rumbuai / Manirem / Isirawa
Field Recording at the Fourth Pan-Pacific Congress and Ethnographic Exhibition, Weltevreden, Jakarta, May 1929
Field Recording at the Fourth Pan-Pacific Congress and Ethnographic Exhibition, Weltevreden, Jakarta, May 1929 (Sumba, Indonesia)
VII_W_3107_Kunst_Indonesien_52_Alte_Kopie (52b)
VII_W_3107_Kunst_Indonesien_52_Alte_Kopie (52a)
song of the buffalo slaughtering ceremony
VII_W_3107_Kunst_Indonesien_51_Alte_Kopie (51b)
VII_W_3107_Kunst_Indonesien_51_Alte_Kopie (51a)
Field Recording at the Fourth Pan-Pacific Congress and Ethnographic Exhibition, Weltevreden, Jakarta, May 1929 (Seram, Indonesia)
Field Recording at the Fourth Pan-Pacific Congress and Ethnographic Exhibition, Weltevreden, Jakarta, May 1929 (Halmahera, Indonesia)
VII_W_3107_Kunst_Indonesien_45_Alte_Kopie (45b)
VII_W_3107_Kunst_Indonesien_45_Alte_Kopie (45a)
Field Recording at the Fourth Pan-Pacific Congress and Ethnographic Exhibition, Weltevreden, Jakarta, May 1929 (Muna, Indonesia)
Recording at the Fourth Pan-Pacific Congress and Ethnographic Exhibition, Weltevreden, Jakarta, May 1929 (Sulawesi, Indonesia)
VII_W_3107_Kunst_Indonesien_41_Alte_Kopie (41c)
VII_W_3107_Kunst_Indonesien_41_Alte_Kopie (41b)
VII_W_3107_Kunst_Indonesien_41_Alte_Kopie (41a)
VII_W_3107_Kunst_Indonesien_40_Alte_Kopie (40c)
VII_W_3107_Kunst_Indonesien_40_Alte_Kopie (40b)
VII_W_3107_Kunst_Indonesien_40_Alte_Kopie (40a)
VII_W_3107_Kunst_Indonesien_39_Alte_Kopie (39b)
VII_W_3107_Kunst_Indonesien_39_Alte_Kopie (39a)
VII_W_3107_Kunst_Indonesien_38_Alte_Kopie (38c)
VII_W_3107_Kunst_Indonesien_38_Alte_Kopie (38b)
VII_W_3107_Kunst_Indonesien_38_Alte_Kopie (38a)
VII_W_3107_Kunst_Indonesien_37_Alte_Kopie (37c)
VII_W_3107_Kunst_Indonesien_37_Alte_Kopie (37b)
VII_W_3107_Kunst_Indonesien_37_Alte_Kopie (37a)
Recording at the Fourth Pan-Pacific Congress and Ethnographic Exhibition, Weltevreden, Jakarta, May 1929
VII_W_3107_Kunst_Indonesien_36_Alte_Kopie (36b)
VII_W_3107_Kunst_Indonesien_36_Alte_Kopie (36a)
Recording at the Fourth Pan-Pacific Congress and Ethnographic Exhibition, Weltevreden, Jakarta, May 1929 (Kalimantan, Indonesia)
VII_W_3107_Kunst_Indonesien_29_Alte_Kopie (29b)
VII_W_3107_Kunst_Indonesien_29_Alte_Kopie (29a)
Recording at the Fourth Pan-Pacific Congress and Ethnographic Exhibition, Weltevreden, Jakarta, May 1929 (Lampung District, Indonesia)
Recording at the Fourth Pan-Pacific Congress and Ethnographic Exhibition, Weltevreden, Jakarta, May 1929 (North Sumatra, Indonesia)
Hasim (vocals), Moh. Damiri (violin), Denan (kendang)
Music (Vocal and instrumental)
VII_W_3107_Kunst_Indonesien_9_Alte_Kopie (9b)
VII_W_3107_Kunst_Indonesien_9_Alte_Kopie (9a)
VII_W_3107_Kunst_Indonesien_2_Alte_Kopie (2b)
I knoz this song... it's from my village.
VII_W_3107_Kunst_Indonesien_2_Alte_Kopie (2a)
Wax cylinder collection recorded by Kunst, Kunst-Van Wely (ca. 350 items indexed), Father Verschueren (24+ items indexed) and Leroux (48+ items indexed). Originals in Phonogrammarchiv Berlin. Berlin stores thousands of original wax cylinders, wax cylinder copies, and electrotype moulds / galvano negatives. Kunst’s material is among these, but as of October 2018 there is no proper insight where exactly and whether there are more than the ones already indexed. Copies of the wax roles that were later indexed were sent to the Tropenmuseum during Kunst’s lifetime and possibly to the Phonogrammarchiv Vienna (Austria), where the recordings of Kunst’s successor in Indonesia, Karl Halusa (1906-1959), may also be found.
Gamelan recording done in 1922-1923 in Yogyakarta (Java Island
Central Yogyakarta
The raging elephant, letter 22-11-1923 'III'
VII_W_3107_Kunst_Indonesien_1_Alte_Kopie (1a)
Film about Kuda Kepang done in 1931 by J. Kunst in Desa Pakem (Indonesia).
VII_W_3107_Kunst_Indonesien_001_Alte_Kopie (001-1973b)
VII_W_3107_Kunst_Indonesien_001_Alte_Kopie (001-1973a)