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Singing with pilipe flute

Voice and flute pilipe, by Mabu. In the first iece, the musician sings in falsetto and blows alternately in the pilipé flute, a small bamboo tube producing a single pitch. The melody as sung has five degrees, all below the fundamental frequency of the flute : with three principal degrees separated by about a tone, and two intermediate degrees, the descending melodic contour imitates the intonation of the spoken language. In the second piece (as from O'28), the musician lets out cries at the same time as sudden bursts of breath into the flute, thus imitating with instrument and voice some vocal techniques, partly yodelled, tyically utilised by a number of performers during a ritual. The text of the first piece is made up of metaphorical expressions concerning an unfaithful wife, whom the singer wishes would return to him
Archivist's Original Title
en Singing with pilipe flute
Original description
en Voice and flute pilipe, by Mabu. In the first iece, the musician sings in falsetto and blows alternately in the pilipé flute, a small bamboo tube producing a single pitch. The melody as sung has five degrees, all below the fundamental frequency of the flute : with three principal degrees separated by about a tone, and two intermediate degrees, the descending melodic contour imitates the intonation of the spoken language. In the second piece (as from O'28), the musician lets out cries at the same time as sudden bursts of breath into the flute, thus imitating with instrument and voice some vocal techniques, partly yodelled, tyically utilised by a number of performers during a ritual. The text of the first piece is made up of metaphorical expressions concerning an unfaithful wife, whom the singer wishes would return to him
fr Voix et flûte pilipé, par Mabu. Dans la première pièce, le musicien chante en fausset et souffle alternativement dans la flûte pilipé, un petit tube de bambou produisant une seule note. La mélodie chantée comporte cinq degrés, tous inférieurs à la fréquence fondamentale de la flûte : avec trois degrés principaux séparés d'environ un ton et deux degrés intermédiaires, le contour mélodique descendant imite l'intonation de la langue parlée. Dans la seconde pièce (comme dans O'28), le musicien pousse des cris simultanément à de brusques bouffées d'air dans la flûte, imitant ainsi par l'instrument et la voix certaines techniques vocales, en partie yodel, généralement utilisées par plusieurs interprètes lors d'un rituel. Le texte de la première pièce est composé d'expressions métaphoriques concernant une épouse infidèle, dont le chanteur souhaite le retour.
Time duration
en 0:00:55
Recording date of the original material
en 1978
Acquisition Date
en 1996
Population
en Huli
Place of the cultural origin
Country Name
Recording place
en Bebenete, Southern Highlands Province
Resource Language
en Huli
Comment
en CD Voice II - Techniques (continued): Voice and musical instruments b. Imitation of the instrument
fr CD Voix II - Techniques (suite) : Voix et instruments de musique b. Imitation de l'instrument
Tags, Keywords
en yodel|flute|wedding|loss
Archivist Category
en Music (Vocal and instrumental)
Recording context
en Published record
Instrument, Original Archivist Data
en Voice, Flute
Name of original Collection
en Voices of the World, an Anthology of Vocal Expression (CD)
History of ownership
en From the record "The Huli of Papua Niugini", plage A4; Musicaphon (collection Music of Oceania) BM 30 SL 2703
Holding Institution of Original Materials
Copyright Information
In Copyright
Copyright Notice
For any use, please contact the CREM-LESC (CNRS, Nanterre University, France): crem.lesc[at]cnrs.fr ; See information at https://archives.crem-cnrs.fr
Physical format
en Magnetic tape
Preservation State of Physical Object
en Copy
Original item number
en CNRSMH_E_1996_013_001_002_029
SEAH Identifier
en SEAH_CNRSMH_E_1996_013_001_002_029