Danse des Udoq
Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Ceremonial dance welcoming rice seeds to the village by all the villagers (200 families) in their finest attire and all the musical instruments together as well as the mouth organ, kedirek which revolves around the central column topped by toucan , surrounded by two tigers.
Dance of masks in a semi-circle facing the column, on the left, udoq kitaq (worn by men), made of wood and on the right udoq kibah (worn by women), made of inverted hoods covered with beaded tapestries representing the udoq on the face of the overturned basket.
The gestures are very slow and graceful. At the center of these two semicircular groups arrives udoq taing whose head represents an enormous wild boar (carried by 10 men) and small figures, udoq maok surrounds him and carry blowguns and quivers as well as baskets full of rice seeds. They represent the hunter-gatherers, Punan. (Cf. Bilingual booklet. The music of the Kenyah and Modang in East Kalimantan, Indonesia. Face I.5, p.5)
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Tarian udoq
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Danse des Udoq
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Udoq dance
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Ceremonial dance welcoming rice seeds to the village by all the villagers (200 families) in their finest attire and all the musical instruments together as well as the mouth organ, kedirek which revolves around the central column topped by toucan , surrounded by two tigers.
Dance of masks in a semi-circle facing the column, on the left, udoq kitaq (worn by men), made of wood and on the right udoq kibah (worn by women), made of inverted hoods covered with beaded tapestries representing the udoq on the face of the overturned basket.
The gestures are very slow and graceful. At the center of these two semicircular groups arrives udoq taing whose head represents an enormous wild boar (carried by 10 men) and small figures, udoq maok surrounds him and carry blowguns and quivers as well as baskets full of rice seeds. They represent the hunter-gatherers, Punan. (Cf. Bilingual booklet. The music of the Kenyah and Modang in East Kalimantan, Indonesia. Face I.5, p.5)
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0:12:54
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1977-04
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2010
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Kenyah
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Kalimantan Timur, Long Segar sur la rivière Telen
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Kenyah
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Mouth organ, kedirek; suspended xylophones, jatung utang; lutes, sampeq.
Oral comments by the ethnographer. Description of the masks and costumes.
Cf. l1978, Revel-Macdonald, Nicole “The dance of the Hudoq masks”, Objets et Mondes, la Revue du Musée de l'Homme, volume 18, fasc. 1-2 (spring-summer), pp. 31-44, 3 maps, 2 plans, photos.
See musical transcription (Cf. Bilingual booklet. The music of the Kenyah and Modang in East Kalimantan, Indonesia. p. 17)
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Music (Instrumental)
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Field recording
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Spoken voice: female; Mouth organ; Xylophone; 3-string lute
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Kedirek;Jatung utang;Sampeq
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Kalimantan Timur (Bornéo Est) ; Revel, N. 1977.
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1979, REVEL, MACEDA & I Made Bandem, The Music of the Kenyah and the Modang, Kalimantan Timur, 33RPM, Unesco, University of the Philippines, Quezon City ; - 1982, Revel-Macdonald, Nicole‘Masks in Kalimantan Timur’, Mask II, The World of Music, Berlin. International Institute for Comparative Music Studies and Documentation, pp. 52-57. - 1988, Revel-Macdonald, Nicole‘The Dayaks : On the Ancestors, the Dead and the Living’, Islands and Ancestors, J.P. Barbier and D. Newton (eds), The Metropolitan Museum of Art, New-York, pp. 66-85 and pp. 240-257.
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Tapes digitized and archived at CREM (CNRS, Nanterre) by Nicole Revel in 2010.
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For any use, please contact the CREM-LESC (CNRS, Nanterre University, France): see information at https://archives.crem-cnrs.fr
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Magnetic tape
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Copy
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CNRSMH_I_2010_006_006_05
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SEAH_CNRSMH_I_2010_006_006_05
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