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Striking mode of the “ding pong” tubular aerophone: “pong”
	Instrumental music, tubular aerophone (bamboo stem) struck by three women. There are different rhythms of strikes (see files: from BM.965.006.001:A-07 to:A-15): “pông tur”; “pah”; “tuöng ke döt”; “högor hroai” (accelerated rhythm); “tö löi hor kat”; “tuöng dak”; “pöng”; “kor nheng” (accelerated rhythm); "ak tö bblah". Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 from the Jörai population: funeral music, different modes of playing aerophones and a phonetic study.
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                                en
                                DDING PONG; PONG
                                            
 
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                                en
                                Striking mode of the “ding pong” tubular aerophone: “pong”
                                            
 
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                                fr
                                Mode de frappe de l'aérophone tubulaire "ding pong" : "pong"
                                            
 
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                                en
                                Instrumental music, tubular aerophone (bamboo stem) struck by three women. There are different rhythms of strikes (see files: from BM.965.006.001:A-07 to:A-15): “pông tur”; “pah”; “tuöng ke döt”; “högor hroai” (accelerated rhythm); “tö löi hor kat”; “tuöng dak”; “pöng”; “kor nheng” (accelerated rhythm); "ak tö bblah". Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 from the Jörai population: funeral music, different modes of playing aerophones and a phonetic study.
                                            
 
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                                fr
                                Musique instrumentale,  aérophone tubulaire (tige de bambou)  frappé par trois femmes. Il y a différents rythmes de frappes (cf. fiches: de BM.965.006.001:A-07 à  :A-15):  " pông tur " ; " pah " ; " tuöng ke döt " ; " högor hroai " (rythme accéléré) ; " tö löi hor kat " ; " tuöng dak " ; " pöng " ; " kor nheng " (rythme accéléré) ; " ak tö bblah ". Enregistrements sonores inédits collectés par Jacques Dournes, missionnaire et chercheur français, au Viet Nam en 1964 auprès de la population jörai : musique funéraire, différents modes de jeu d'aérophones et une étude phonétique.
                                            
 
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                                00:00:26
                                            
 
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                                en
                                1964-01-30
                                            
 
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                                en
                                1965
                                            
 
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                                Jarai
                                            
 
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                                en
                                Central Viet Nam, Phu Bon Province
                                            
 
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                                Jarai
                                            
 
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                                Funeral music
                                            
 
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                                Music
                                            
 
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                                en
                                Field recording
                                            
 
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                                en
                                Aerophone
                                            
 
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                                Dding pong
                                            
 
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                                fr
                                Viet Nam, Musique funéraire, modes de jeux d'aérophones et étude phonétique chez les Jörai, Dournes, 1964.
                                            
 
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                                en
                                Dournes, J. "La musique chez les Joraï" in "Objets et mondes", t. V, fasc.4, hiver 1965 pp.211-244, photos
                                            
 
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                                In Copyright. Non-Commercial Use Permitted
                                            
 
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                                For any use, please contact the CREM-LESC (CNRS, Nanterre University, France): crem.lesc[at]cnrs.fr ; See information at https://archives.crem-cnrs.fr
                                            
 
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                                Magnetic tape
                                            
 
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                                en
                                Record:9.5cm/s, 1/2 Track A. Average sound qualities. See archive file; file editor:  Tran Quang Hai, Aliénor Anisensel .
                                            
 
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                                CNRSMH_I_1965_006_001_13
                                            
 
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                                CNRS_SEAHMH_I_1965_006_001_13
                                            
 
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                                en
                                Recording archived at Musée de l’Homme, Paris, by J. Dournes and preserved at BnF.
                                            
 
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