Taba' Gulembang (last day of Gawai Mamandung)
Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. composition: set of gongs on galentang frame, two drums with two gendang skins, tawak. It's 2 a.m. Among men in an advanced state of intoxication. A drunk dancer knocks over the microphones. Gansa completely drunk dances the mandaria.
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en
Taba' Gulembang (last day of Gawai Mamandung)
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fr
Taba' Gulembang (dernier jour du Gawai Mamandung)
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id
Taba' Gulembang (hari terakhir Gawai Mamandung)
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en
Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. composition: set of gongs on galentang frame, two drums with two gendang skins, tawak. It's 2 a.m. Among men in an advanced state of intoxication. A drunk dancer knocks over the microphones. Gansa completely drunk dances the mandaria.
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fr
Enregistrements sonores inédits réalisés en Indonésie (West Kalimantan) en 1997 par Dana Rappoport, auprès des populations Dayak Taman, Iban, Kayan Mendalam. composition: jeu de gongs sur cadre galentang, Deux tambours à deux peaux gendang, tawak. Il est 2h du matin. Au milieu des hommes en état d'ébriété avancée. Un danseur saoûl renverse les micros. Gansa complètement saoûl danse le mandaria.
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id
Rekaman dibuat di Indonesia (Kalimantan Barat) pada tahun 1997 oleh Dana Rappoport, dalam masyarakat Mendalam Dayak Taman, Iban, Kayan. Kelompok: satu set gong pada rangka galentang, dua gendang dengan dua kulit gendang, tawak. Ini jam 2 pagi. Di antara pria dalam keadaan mabuk berat. Seorang penari mabuk menjatuhkan mikrofon. Gansa benar-benar mabuk menari mandaria.
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en
Last day of the Gawai, the day which is called maamasi or aso pasiap. On the sixth day, other decorated boats arrive. This time, it is the women of the surrounding villages. They bring eight kinds of cakes. After going around the cow cages, they too must cut down a log to gain access to the longhouse. After the sacrifices, the pasiap ritual takes place, which consists of a long procession of a hundred women all around the long gallery in which the men are seated. Before entering the long gallery, the women gracefully dance. Splendid, dressed in pearls embroidered with gold and coins, a headband of pearls around their heads, they each carry an iron kettle filled with cakes. They circulate in file to put in the mouth of each man cakes of eight kinds. The gesture, of a highly erotic nature, is often dismissed today.
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00:10:09
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1997-08-12
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2011
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Dayak Taman
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Kampung Lunsa Hilir, kecamatan Putussibau, kabupaten Kapuas ulu, West Kalimantan
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Taman
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Music (Vocal and instrumental)
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English
Field recording
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Indonesia: West Kalimantan, 1997, D. Rappoport
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RappoportPercussions des Taman, in revue Percussions, n° 59, vol IX/5, 1998.
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Archived at CREM, CNRS in 2011 by D. Rappoport
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For any use, please contact the CREM-LESC (CNRS, Nanterre University, France): see information at https://archives.crem-cnrs.fr
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English
Digital Audio Tape
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original
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CNRSMH_I_2011_016_004_02
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SEAH_CNRSMH_I_2011_016_004_02
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