Taba' Jaum by the middle group, (Bumbulan 1st night)
Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. For three days in a row, an evening takes place which is repeated in an identical manner around eight p.m., at three points in the common gallery - corresponding to the three families, the same ritual takes place. Straight and hieratic, four "Singers", in ritual dress, with large feather headdresses, sit on gongs, facing the offerings of cakes and cooked rice. Facing them, about four meters away, sit six gong players, in ceremonial clothes, wearing feathers. In a slow tempo, in hushed tones, the women chant a song (menyombang "invocation") which will not be interrupted until dawn. Before playing, they give the musicians a drink. All groups play at the same time.
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en
Taba' Jaum by the middle group, (Bumbulan 1st night)
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fr
Taba' Jaum par le groupe du milieu (Bumbulan 1ère nuit)
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Taba' Jaum oleh kelompok tengah (Bumbulan malam ke-1)
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en
Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. For three days in a row, an evening takes place which is repeated in an identical manner around eight p.m., at three points in the common gallery - corresponding to the three families, the same ritual takes place. Straight and hieratic, four "Singers", in ritual dress, with large feather headdresses, sit on gongs, facing the offerings of cakes and cooked rice. Facing them, about four meters away, sit six gong players, in ceremonial clothes, wearing feathers. In a slow tempo, in hushed tones, the women chant a song (menyombang "invocation") which will not be interrupted until dawn. Before playing, they give the musicians a drink. All groups play at the same time.
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fr
Enregistrements sonores inédits réalisés en Indonésie (West Kalimantan) en 1997 par Dana Rappoport, auprès des populations Dayak Taman, Iban, Kayan Mendalam. Pendant trois jours de suite a lieu une soirée qui se répète de façon identiquevers vingt heures, en trois points de la galerie commune - correspondant aux trois familles, un même rituel a lieu. Droites et hiératiques, quatre"Chanteuses", en tenue rituelle, avec de grandes coiffes de plumes, s'assoient sur des gongs, face aux offrandes de gâteaux et de riz cuit. Face à elles, à quatre mètres environ, s'installent six joueurs de gongs, en habits cérémoniels, coiffés de plumes. Dans un tempo lent, à mi-voix, les femmes psalmodient un Chant (menyombang"invocation") qui ne s'interrompra qu'à l'aube. Avant de jouer, ils donnent à boire aux musiciens. Tous les groupes jouent en même temps.
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id
Rekaman dibuat di Indonesia (Kalimantan Barat) pada tahun 1997 oleh Dana Rappoport, dalam masyarakat Mendalam Dayak Taman, Iban, Kayan. Selama tiga hari berturut-turut, diadakan suatu malam yang diulangi dengan cara yang sama sekitar jam delapan malam, di tiga titik di galeri umum - sesuai dengan tiga keluarga, ritual yang sama berlangsung. Lurus dan hierarkis, empat "Penyanyi", dalam pakaian ritual, dengan hiasan kepala bulu besar, duduk di atas gong, menghadap persembahan kue dan nasi. Di hadapan mereka, sekitar empat meter jauhnya, duduk enam orang pemain gong, berpakaian upacara, memakai bulu. Dengan tempo lambat, dengan nada pelan, para perempuan melantunkan sebuah lagu (menyombang "doa") yang tidak akan terputus hingga subuh. Sebelum bermain, mereka memberi minuman kepada para musisi. Semua kelompok bermain pada waktu yang sama.
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1st day of a six-day ritual (Gawai Mamandung ritual). This day is called Bumbulan. 8:30 p.m., in the long house, the women are in ceremonial costumes, facing the offerings, the men opposite.
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00:00:28
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1997-08-07
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2011
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Dayak Taman
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Kampung Lunsa Hilir, kecamatan Putussibau, kabupaten Kapuas ulu, Kalimantan
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Taman
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Music (Vocal)
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English
Field recording
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Indonesia: West Kalimantan, 1997, D. Rappoport
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Cf
- RappoportPercussions des Taman, in revue Percussions, n° 59, vol IX/5, 1998.
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Archived at CREM, CNRS in 2011 by D. Rappoport
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For any use, please contact the CREM-LESC (CNRS, Nanterre University, France): see information at https://archives.crem-cnrs.fr
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English
Digital Audio Tape
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original
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CNRSMH_I_2011_016_002_17
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SEAH_CNRSMH_I_2011_016_002_17
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