Taba' Manjaratun (Gawai Mamandung)

Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. also called taba' rami-rami (animated). reception rhythm. Composition: kangkuang slot drum, tuung cylindrical drum, 3 tawak hanging gongs, 3 babandi hanging gongs, 1 set of gongs on galentang frame. The tawaks play in reverse. 1/1/1/22. The third follows the second in reverse. major instrumental kangkuang. The intro and conclusion of the strike are done with percussion (kangkuang + tuung) in a loop three times Here the kangkuang slit drum is not present enough, the sound of the tawak is too muffled
Archivist's Original Title
en Taba' Manjaratun (Gawai Mamandung)
fr Taba' Manjaratun (Gawai Mamandung), frappe d’accueil
id Taba' Manjaratun (Gawai Mamandung)
Original description
en Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. also called taba' rami-rami (animated). reception rhythm. Composition: kangkuang slot drum, tuung cylindrical drum, 3 tawak hanging gongs, 3 babandi hanging gongs, 1 set of gongs on galentang frame. The tawaks play in reverse. 1/1/1/22. The third follows the second in reverse. major instrumental kangkuang.

The intro and conclusion of the strike are done with percussion (kangkuang + tuung) in a loop three times

Here the kangkuang slit drum is not present enough, the sound of the tawak is too muffled
fr Enregistrements sonores inédits réalisés en Indonésie (West Kalimantan) en 1997 par Dana Rappoport, auprès des populations Dayak Taman, Iban, Kayan Mendalam. appelé aussi taba' rami-rami (animé). rythme d'accueil. Composition: tambour à fente kangkuang, tambour cyclindrique tuung, 3 gongs suspendus tawak, 3 gongs suspendus babandi, 1 jeu de gongs sur cadre galentang. Les tawak jouent en inversé. 1/1/1/22. Le troisième suit le second en inversé. instrum majeurkangkuang.

L'intro et la conclu de la frappe se font aux percussions (kangkuang + tuung)en boucle à trois reprises

Ici le tambour à fente kangkuang n'est pas assez présent, le son des tawak est trop feutré
id Rekaman dibuat di Indonesia (Kalimantan Barat) pada tahun 1997 oleh Dana Rappoport, dalam masyarakat Mendalam Dayak Taman, Iban, Kayan. Disebut juga taba' rami-rami (animasi). ritme penerimaan. Kelompok: gendang slot kangkuang, gendang tuung silinder, 3 buah gong gantung tawak, 3 buah gong gantung babandi, 1 set gong pada rangka galentang. Para tawak bermain terbalik. 1/1/1/22. Yang ketiga mengikuti yang kedua secara terbalik. kangkuang instrumental utama.

Intro dan penutup pemukulan dilakukan dengan perkusi (kangkuang+tuung) sebanyak tiga kali putaran

Disini kendang kangkuang kurang hadir, suara tawak terlalu teredam
SEA Annotations
en 1st day of a six-day ritual (Gawai Mamandung). This day is called Bumbulan. Precedes the construction of cow cages (maniang pandung). Women seated Chanting in the big house, the men face them. Before going down to build the cages (pandung), they play in the big house. They are for drinking.
Time duration
en 00:04:27
MetadataURL
http://archives.crem-cnrs.fr/archives/items/34535/
Recording date of the original material
en 1997-08-07
Acquisition Date
en 2011
Population
en Dayak Taman
Place of the cultural origin
Lunsa Hilir
Country Name
Indonesia
Recording place
en Kampung Lunsa Hilir, kecamatan Putussibau, kabupaten Kapuas ulu, Kalimantan
Resource Language
en Taman
Archivist Category
en Music (Vocal)
Recording context
English Field recording
Collector
Dana Rappoport
Name of original Collection
en Indonesia: West Kalimantan, 1997, D. Rappoport
Collection source citation
Indonesia : West Kalimantan, D. Rappoport, 1997
Related material
http://archives.crem-cnrs.fr/archives/collections/5373/
External reference
en RappoportPercussions des Taman, in revue Percussions, n° 59, vol IX/5, 1998.
History of ownership
en Archived at CREM, CNRS in 2011 by D. Rappoport
Holding Institution of Original Materials
Bibliothèque nationale de France
Licensing Institution
Centre National de la Recherche Scientifique
Accessing Institutions
Centre de Recherche en Ethnomusicologie (LESC, CNRS)
Copyright Information
In Copyright. Non-Commercial Use Permitted
Copyright Notice
For any use, please contact the CREM-LESC (CNRS, Nanterre University, France): see information at https://archives.crem-cnrs.fr
Physical format
English Digital Audio Tape
Preservation State of Physical Object
en original
Original item number
en CNRSMH_I_2011_016_002_12
SEAH Identifier
en SEAH_CNRSMH_I_2011_016_002_12
Media
CNRSMH_I_2011_016_002_12