-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
Note Musée Guimet : Chant classique. Le titre donné à ce chant n'est peut-être pas exacte car le passage enregistré fait partie d'un roman khmer dans le lequel un prince fait la cour à une princesse.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
-
Music recorded during the Colonial Exhibition in Paris by the University of Paris - Institut de Phonétique, with the support of Pathé, for the « Musée de la Parole et du Geste », 1931.
Musée Guimet note: Enregistrements réalisés grâce à la présence du prince Soekawati accompagné d'un groupe de musiciens et d'acteurs.
-
-
-
Field recording collected in Central Viet Nam, Jarai and Cham Populations, by Jacques Dournes, 1963-1970
-
-
-
-
-
Odeon Records is a record label founded in 1903 by Max Straus and Heinrich Zuntz of the International Talking Machine Company in Berlin, Germany. The label's name and logo come from the Odéon-Théâtre de l'Europe in Paris.
-
-
-
-
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku). Sung vaihoho (men's duos); from 13:30, homophonic male singing
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku).
-
Field recordings from East-Timor (Timor-Leste) in 1966 made by the linguist Henri Campagnolo and the ethnologist Maria-Olimpia Lameiras-Campagnolo (various populations including the Fataluku). Sung vaihoho (men's duos); from 19:20, speech (men)