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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Bamboo trumpet orchestra, group of 20 children led by Pa' Marten. (10 pompang horns and 10 flutes)
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Orchestra of bamboo trumpets, group of 20 children led by the teacher Pa' Marten (10 pompang trumpets and 10 suling flutes)
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Office in a country church in Toraja country. Alternation between words of the Protestant officiant and songs of the faithful a capella homorhythmic.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Engine, mosque, birds
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Meeting a backpacker in a hotel in Makassar
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Sixty singers, a capella.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Played during a tooth filing ceremony in eastern Bali.
1 Gambang (bamboo blade xylophone) played with double sticks.
1 Bamboo saron
2 Gangsa 7-blade double metallophones.
Bronze/bamboo opposition
Melody augmented by the 2 gangsa
Rhythm and colotomic function ensured by the gambang and the saron by the bamboo instruments.
The gambang is also used for funerals.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Played during a tooth filing ceremony in eastern Bali.
1 Gambang (bamboo blade xylophone) played with double sticks.
1 Bamboo saron
2 Gangsa 7-blade double metallophones.
Bronze/bamboo opposition
Melody augmented by the 2 gangsa
Rhythm and colotomic function ensured by the gambang and the saron by the bamboo instruments.
The gambang is also used for funerals.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. 3 elderly singers singing a capella in unison in old Balinese.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. In 1991, Alex Paat was director of a music foundation in Jakarta. His son Jimmy Paat, an Indonesian teacher in France, translates the interview. People present: Serge Serafini, Dana Rappoport, Jimmy Paat, Alex Paat.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Two ladies in their fifties sing a lullaby while swinging a hanging sarong.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Men's duo, original traditional Tembang. On the occasion of harvests, circumcisions, marriages, endangered
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Duo H accompanied by frame drum
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Singing in Arabic, each of the four Singers is accompanied by a rebana frame drum.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Formation: 2 double membrane drum, gendang, right hand struck stick, gong and serunai oboe + Two rebana frame drums and xylo pelompong struck with two sticks.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Formation: 2 double membrane drum, gendang, right hand struck stick, gong and htwood sarunei
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. 2 Singers, alternating singing, man woman, measured, monodic, flat melody. About the rice harvest.Slight technical break, 40'' before the end.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. measured, without melody
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Psalmodic song, without melody, flat
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Singing accompanied by gambus. Alternating singing (between singer and gambus player), Indonesian mix, Bajau and salayar. Sounds of boat engines, children screaming. Strophic. Very just.
Cut abruptly at the end after 13'49
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Singing accompanied by gambus lute (3 strings) and the help of a drum. There are three of them: gambus player (average), singer (very good), can player (which replaces the gendang drum). It is a song of abandoned love (syair cewek). Probable names: Mahyuddin, Akadir, Mauraja (?). Here the singing mixes Bajau and salayar (South Sulawesi).
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Ibu Sahera, A cappella singing. It is a song to entertain sick children. The woman is younger than the previous one. At first, the voice is garbled, then it gets better later. Melismatic, ornamental, sad. Non-heptatonic scale. Boat noises in the distance, goat.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Ibu Maimuna (Mbo Munak), 60 years old, betel chewer. Slow singing, deep voice, vibrato. The voice is very broken. Couplets in Indonesian. The woman sways gently. During the last two minutes, we hear music in the distance.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. fast. Very good. Two movements. Divide the bow into four.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. off-center, pentato
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Pentatonic. The gambus has four doubled strings tuned in fifths.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Start at the third. Beautiful vocals but seem out of tune.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Abbas Ibrahim, 22 years old. Melismatic singing, very slow, ornaments, silence.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Abbas Ibrahim, 22 years old. Slow, melismatic singing, reduced ambitus, 4/4, very strong, timbred, intense voice.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Abbas Ibrahim, 22 years old. noises of children outside at the ends of sentences;
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. A cappella singing by a young Donggo girl, alone. This is the best take. Not the screaming.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. A cappella singing by a young donggo girl, with the cries of a man. Saturated at first.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. A cappella singing by a young donggo girl, with the cries of a man/
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. A cappella singing by a young donggo girl.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Best catch. Glissandi, imitation of crying. The violin is held on the stand.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Bad execution?
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Joge' is the name of a traditional pan-Indonesian dance. The oboe is called silu.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. The piece is called manca.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Clarinet with a resonator at the spiral end. Continuous breathing, vibrato. The player connects Salondo Reo, Arugele/Sagele, and Gantao
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Instrument tuning
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Sung for harvest festivals, in the round and with stones. The song is linked with Sanai-nai ("every day")
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. Song and violin by a single musician, Pantun nasehat (moral advice). The song follows Dali, Ntoko Tambara (sad) and Obi Mbolo (wedding song). Ornamentation, glissandi. The violin announces the note of the song.
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Field recordings made in Sumbawa, Indonesia, in 1992 by D. Rappoport and J. Simonnot. monodic, monotonous, chanting