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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Strophic singing, well-paced lute playing, narrative vocals close to garete, punctuate his singing with little cries
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Burlesque onomatopoeia singing (the Singer takes on a high-pitched voice). Satirical singer, funny, good ear, lots of enthusiasm.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Sing in Bugis
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Pretty breathless voice, rhythmic cuts,
in Bugis
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Very famous tune
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. 4 TPS, Sung/spoken. Rhythmic cut, muslim, high voice, nasal, burlesque
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Very rhythmic game of the gambus, like the garete piece. Chorus song. The Singer lets out little cries. I
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. melismatic ornamentation. Very advanced playing by the violinists, very accurate, baroque bellows, real playing techniques. Analyze the phrasing.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Modernized version by Andi Sapada in 1974. Removal of ornamentation, violins, vocal timbre and addition of rhythmic continuity and simplified structure. It is now Sung by everyone and no longer just by the Court Singers. This version is more easily remembered, it has been popularized.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Favorite song. Old version. It is a Song that is requested by the host, Princess Ibu Datu. Alternation of two Singers. Quite slow and ornate, restricted ambitus. Why old version? Languorous playing of the violins, decorated and melismatic voices, nasal placement of the voice, modality, gentle playing of flute and violin which follow one another, long attacks, same characteristics as Garete, swing violin solos.
Tape cut after 7'
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. La Bankini, voice and violin and Abdul Halim, voice and mandaleone. The time of the piece is shortened. It could last an hour. The chin rest of the vilon is on the right. Three Singers alternate. Voices are high, nasal, fast
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Old Bugis song. Problem of imbalance of voices, cars, noise.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Four pieces, the first of which is called Gendang pasere. Saturated sound, good shots
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Two pieces: Tari Pakarena, then makassar dance tune
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Digital click at 1'50 from the start of the track (band wear)
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Rhythmic spoken invocations, dialogues, conversations between two raja deities.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.