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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Recorded at 3:45 a.m. Essay by a balien ("healer") around forty years old, younger brother of Kepala desa Pa' Bansa. Very noisy, drunk men, roosters, laughter. Response by men
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Recorded at three in the morning. Soft, slow, pleasant, calm. Music also called bagalentang performed when the men are in the middle of the gallery (ta'soo). Music used to entertain men during drinking. Alternatively, a man stands up to dance a very graceful dance, the mandaria. composition: - set of 2 gongs (babandi) suspended one tone apart - set of 5 horizontal bulbous gongs on frame (galentang) [makes the melody] - two double membrane drums (gendang)
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Recorded at two in the morning. Grip too strong, faster but very deep. During the dance, the men shout. Three patterns are repeated identically. Music also called bagalentang performed when the men are in the middle of the gallery (ta'soo). Music used to entertain men during drinking. Alternatively, a man stands up to dance a very graceful dance, the mandaria.
composition:
- set of 2 gongs (babandi) suspended one tone apart
- set of 5 horizontal bulbous gongs on frame (galentang) [makes the melody]
- two double membrane drums (gendang)
- tawak gong
Babandi and tawak are hiccuping
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Recorded at midnight. During the dance, the men shout. Three patterns are repeated identically. Music also called bagalentang performed when the men are in the middle of the gallery (ta'soo). Music used to entertain men during drinking. Alternatively, a man stands up to dance a very graceful dance, the mandaria. composition: - set of 2 gongs (babandi) suspended one tone apart - set of 5 horizontal bulbous gongs on a frame (galentang) [makes the melody] - long drum with one skin (tuung) - gong tawak Babandi and tawak are in hiccups
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Music also called bagalentang performed when the men are in the middle of the gallery (ta'soo). Music used to entertain men during drinking. Alternatively, a man stands up to dance a graceful, balanced dance, the mandaria dance.
composition:
- set of 2 gongs (babandi) suspended one tone apart
- set of 5 horizontal bulbous gongs on frame (galentang)
- long drum with one skin (tuung)
- gong tawak
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Instrumental piece performed during the passage of alcohol served to male guests in line (membaris ritual), in the longhouse, on the ta'soo (common area). This music accompanies those who force others to drink. The music moves with them. - set of 2 gongs (babandi) suspended one tone apart
- set of 5 horizontal bulbous gongs (galentang)
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. saturated for a moment
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. a cappella, a 60-old woman? (rather 70), Ibu O'Panemba. Voice scratchy, present, very slow, fragile tone, sad, cough. Slow melody is quite beautiful but unsure voice.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. It's 3am. Take from 23'17 to the end.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. upstairs near the dead man, 25 people men and women, 1 a.m. Take from 00 to 23'17
Around 9' and 18'50, recording interruption, change of shot
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. The Song now says: Tassiala mo te dondi', tassi toe-toemo "this dondi' is taken together". Take from 1:57:33 to the end.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. 12 Singers, downstairs from the house, around midnight. Take from 1:35:08 to 1:57:33. At the beginning microphone adjustment. Closer shot. Agreement of male and female voices, presence, drone and permanence, homogeneity, very slow and diligent, no break either rhythmic or melodic. Very diligent leader.
take at 1:35:29 to 1:57:33
At the end, we hear the Tasiala Song sung in the distance (see next track). No drop. Break in recording towards the end of the extract.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. 25 Singers, with women, at the top of the house. Polyphony in fifths and thirds by a woman. homogeneous, variation, haunting Chromatic rises. The old women Sing in third time Few noises.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. 20 Singers, with women. The leaders are women. Numerous, slow, buzzing, monophonic, throbbing. Outside sounds of cooking, glasses of coffee. Take from 38'40 to 58'03
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. 7 Crouching singers, high timbres, no noise, collected. In the distance, other dondi' singers. Take from 29'58 to 38'24
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Circle of 60 to 70 Singers. Take from 7'29 to 30'
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. 18 dondi' singers including 2 women, the men are young between 20 and 40 years old. hoarse voices. The women sing at a fourth. Voices come from every corner. No generator but kerosene lamps, in the distance the badong begins again.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. technical drop
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations. Technical problemwear of the band at 1'50
Two rounds are Sung.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.
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Field recordings made in Sulawesi, Indonesia, in 1991, 1995 et 2015 by D. Rappoport and S. Serafini: various populations.