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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. SANGGAR AMBOYO (name of the Amboyo group) -2 metallophones with 4 blades (saron): played by Tomo and ? -Two Ganakn and gadobong drums (played by Hogar, who is Banyuké Darit) - 2 hanging gongs Three pieces: Bawakn + ledang, Samoko and ledang
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. daughter of Roselina Layan, daughter of Gani. mother daughter alternation small microphone problem
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. by the daughter of Roselina Layan, daughter of Gani.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Roselina Layan, daughter of Gani. compare with previous lullaby
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Roselina Layan, daughter of Gani.
slower, same aesthetic
pb microphones
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Roselina Layan, daughter of Gani, around 30 years old SUBJECT: woman abandoned by her husband. very good execution
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Roselina Layan, daughter of Gani. Alright
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Elderly woman (Jeliah, anak Rantai). Unmeasured, semi-chanted solo singing. The meaning matters more than the sound. It's about the priest who can't marry.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Alternating singing between an elderly woman (Jeliah, anak Rantai) and a man. Karong: riddle (riddling speech)
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Damianus Dula, Daniel Belayung (nygagu) and Nikolaus Judan, the leader (nyebut) and Judan's mother (70 years old). The leader Judan is tattooed from top to bottom, he goes to work in Malaysia to build houses. He is a traditional chief (ketua adat). His whole family has a gift for music. Song: also called pupu kenyalang. the Song opens with an introduction in Iban. PERFORMANCE: Semi-chanted song performed at the Gawai kenyalang ritual, the biggest festival for headhunters. He was executed that evening in front of the priest. sound: cable problem Mupu: ask, implore
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. three men: Damianus Dula, Daniel Belayung (nygagu) and Nikolaus Judan, the leader (nyebut). The leader Judan is tattooed from top to bottom, he goes to work in Malaysia to build houses. He is a traditional chief (ketua adat). His whole family has a gift for music. Song: Timang ramban is the story of a life then or today. Song reserved for headhunters. EXECUTION: Responsible singing 1 against 2, tiling. The Singers punctuate the Song with a spear which they strike on the mat, the end of the spear is a hornbill head (kenyalang). At the end of one of the three spears, bell. SOUND: Problem of right cable, problem of saturation. Recorded with gain.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Opening song, words of the priest, Closing song
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. 11:30 p.m.
Musician Pa' Anga, four-string lute whose 13 frets (lasar) on the first string change according to the pieces. He's about 40 years old.
The musician says he borrowed the motif from the game of gongs on a taman frame (: the galentang)
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. 11:30 p.m. Musician Pa' Anga, four-string lute whose 13 frets (lasar) on the first string change according to the pieces. He is around 40 years old. Scale: do mi fa sol a do medium execution. Soft.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. 11:30 p.m. Musician Pa' Anga, four-string lute whose 13 frets (lasar) on the first string change according to the pieces. He's about 40 years old. Womanizer, often drunk, stays up at night. Likes to record late. Very good musician. Other scale (pentato): Bb D F G Bb C D F G Bb
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. 11:30 p.m.
Musician Pa' Anga, four-string lute whose 13 frets (lasar) on the first string change according to the pieces. He's about 40 years old. Womanizer, often drunk, stays up at night. Likes to record late. Very good musician.
scale 1 (pentato two semitones): F A Bb C E F
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Musician Pa' Anga, four-string lute whose 13 frets (lasar) on the first string change according to the pieces. He's about 40 years old. Womanizer, often drunk, stays up at night. Likes to record late. Very good musician.
scale 2 (hemitonic pentato): F A Bb C D F
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Musician Pa' Anga, four-string lute whose 13 frets (lasar) on the first string change according to the pieces. He's about 40 years old. Womanizer, often drunk, stays up at night. Likes to record late. Very good musician.
scale 2 (hemitonic pentato): F A Bb C D F
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Musician Pa' Anga, four-string lute whose 13 frets (lasar) on the first string change according to the pieces. He's about 40 years old. Womanizer, often drunk, stays up at night. Likes to record late. Very good musician. scale 2 (hemitonic pentato): F A Bb C D F
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Musician Pa' Anga, four-string lute whose 13 frets (lasar) on the first string change according to the pieces. He's about 40 years old. Womanizer, often drunk, stays up at night. Likes to record late. Very good musician. scale 3 (anhemitonic pentato): C D F G A C Slow, simple piece
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Singer: Leno - Musician Pa' Anga, four-string lute whose 13 frets (lasar) on the first string change according to the pieces. He is around 40 years old. Womanizer, often drunk, stays up at night. Likes to record late. Very good musician. scale 2b C D (F A Bb C D F) G A idem with more present voice.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. - Singer: Leno - Musician Pa' Anga, four-string lute whose 13 frets (lasar) on the first string change according to the pieces. He's about 40 years old. Womanizer, often drunk, stays up at night. Likes to record late. Very good musician. scale 2b C D (F A Bb C D F) G A The voice is indented. at 4', false contact at the end, recording interrupted here. Uma' jalaan: house name,
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Musician Pa' Anga plays a long four-string lute whose 13 frets (lasar) on the first string change according to the pieces. He is around 40 years old. Very good musician. scale: Bb C D (F A Bb C D F) G A
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Musician Pa' Anga plays a long four-string lute whose 13 frets (lasar) on the first string change according to the pieces. He's about 40 years old. Womanizer, often drunk, stays up at night. Likes to record late. Very good musician. The beginning is missed. He announces the title at the beginning. scale: F A Bb C E F G. The drone of the other strings makes do fa fa fa
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. The player Pa' Saging around 70 years old, from the village of Pagung. The mouth organ has 6 bamboo tubes, 1 hole per tube, when inhaling and exhaling, it is the same sound. Continuous breath. Scale: D E G A D same pattern as Laangidang and Kenyah Bulong.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. The player Pa' Saging around 70 years old, from the village of Pagung.
The mouth organ has 6 bamboo tubes, 1 hole per tube, when inhaling and exhaling, it is the same sound. Continuous breath. Scale: D E G A D
slower, ternary, 3 patterns
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. The player Pa' Saging around 70 years old, from the village of Pagung. The mouth organ has 6 bamboo tubes, 1 hole per tube, when inhaling and exhaling, it is the same sound. Continuous breath. Scale: D E G A D. 2 looped patterns.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. The player Pa' Saging around 70 years old, from the village of Pagung. The mouth organ has 6 bamboo tubes, 1 hole per tube, when inhaling and exhaling, it is the same sound. Continuous breath. Scale: D E G A D. 2 looped patterns.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. pentatonic scale profile
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. middle-aged women, including a tattooed woman with brassy voicesIbu Leno, leader, Ibu Be', Ibu Asung, Pa' Asung, Ibu Genawing
Slow, repetitive tempo. Change of motive, then solo, Alternating singing, responsorial.
These women met Philip Yampolsky.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Very long two-stringed lute tuned to a minor third. The player's name is Pa' Abo', he is around 70 years old, he is said to be deaf. This piece accompanies a dance for the Gawai ritual. This piece would only be known by this player in the village. Scaled F# G A
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Very long two-stringed lute tuned to a minor third. The player's name is Pa' Abo', he is around 70 years old, he is said to be deaf. This piece accompanies a dance for the Gawai ritual. This piece would only be known by this player in the village.
Scaled F# G A
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Very long two-stringed lute tuned to a minor third. The player's name is Pa' Abo', he is around 70 years old, he is considered deaf. This piece is a dance. This piece would only be known by this player in the village.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Very long two-stringed lute tuned to a minor third. The player's name is Pa' Abo', he is around 70 years old, he is said to be deaf. This piece is a dance. This piece would only be known by this player in the village.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. From range 6 to 10, sample rate at 44.1 KHz.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Solo song, Sung in the field, on the theme of love? "It's a field about the problems of yesteryear, in the time of flirtations". Sharp cut at the end, recording breaks
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Solo singing, for working in the fields, stories about ancestors. Here, the singer is a man (?) Abang Pulo, 58 years old, Balian healer. It's "a story so that people work in groups and don't get bored at work." The singing is almost recto tono, and not very rhythmic, slow.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Three male singers: Abang Pulo', 58 years old (or 43?) Yohanes Tantang, 40 years old, Herculanus Kapat, 40 years old timang soak, Male singing (= manggin for women): Alternating ritual singing, praise 1 leader leads and the others respond. The leader seems to improvise ("radio, rakam, tana orang putih). The melody is beautiful. The to maloi ("those who follow") have rather ugly voices. What is beautiful is the tiling. When they finish, Pulo resumes a sentence.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Manimang, timang: Sing timang sai, timang balien. Alternating singing between two healers who speak with "Satan" so that he does not disturb humans Singers: Abang Pulo', man, 58 years old Punai, woman, 80 years old, long ears Ampe Sawan (woman), 60 years old. All three are balien (healers). This type of singing has the same goal as timang menyombang, it aims to prevent people from getting sick.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Manimang, timang: Sing; somba: prayer. -Abang Pulo', Balian man, 58 years old (1) -Punai, woman, 80 years old, long ears (2) - Ampe Sawan, woman, 60 years old (3) The three are Balian (healers). Before singing, give the ancestors a drink. Chanting alternates between 1 and 2 then between 1, 2, 3. The Singers tell me that they have come into contact with the "souls" (sai) and that they cannot return alone.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. It's 3:30 in the morning. Junai, 58 years old, from Sayut, gong maker, an old drunk punctuates his singing. The song is chanted. At the end, innocuous conversation with a Singer.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. Pa' Moreng.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. 2am. Composition: galentang + Two gendang skin drums. Several different cycles, which are not necessarily taba' pasen.
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Field recordings made in West Kalimantan, Indonesia, in 1997 by D. Rappoport :Dayak, Iban, Kayan populations. 2am. A drunk man speaks.