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Recorded in situ. Duo of women in unisonSound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and soundscapes.
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Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and sound ambiances.AABS-CLARINETTE: J. Dournes defined the _dding pi_ as being a blowtorch.
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Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
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Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
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Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
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Recorded in situ. "Ddong-köni" is an ensemble, composed of a two-stringed zither on a calabash ("ddong") and a "köni" fiddle with a vibrating string "kuat". Vibrations are produced by two sources: a bow that moves back and forth on the string; a string attached to the string and the opposite end of which is in the mouth of the player. Imitation of overtone singingSound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and sound ambiances. Special features: the piece is played by a single musician who combines the two instruments (the single-string fiddle _ köni _ and the two-stringed zither _ ddong _).
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Recorded in situ. "Ddong-köni" is an ensemble, composed of a two-stringed zither on a calabash ("ddong") and a "köni" fiddle with a vibrating string "kuat". Vibrations are produced by two sources: a bow that moves back and forth on the string; a string attached to the string and the opposite end of which is in the mouth of the player. Imitation of overtone singing Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and sound ambiances. Special features: the piece is played by a single musician who combines the two instruments (the single-string fiddle _ köni _ and the two-stringed zither _ ddong _).
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Recorded in situ. "Ddong-köni" is an ensemble, composed of a two-stringed zither on a calabash ("ddong") and a "köni" fiddle with a vibrating string "kuat". Vibrations are produced by two sources: a bow that moves back and forth on the string; a string attached to the string and the opposite end of which is in the mouth of the player. Imitation of overtone singing Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and sound ambiances. Special features: the piece is played by a single musician who combines the two instruments (the single-string fiddle _ köni _ and the two-stringed zither _ ddong _).
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Recorded in situ. It is an air of funeral tears in the style of the legends melodized at Plöi Ku "Ddong-köni" is an ensemble, composed of a two-stringed zither on a calabash ("ddong") and a "köni" fiddle with a vibrating “kuat” string. Vibrations are produced by two sources: a bow that moves back and forth on the string; a string attached to the string and the opposite end of which is in the mouth of the player. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and sound ambiances. Special features: the piece is played by a single musician who combines the two instruments (the fiddle monochord _ köni _ and the two-stringed zither _ ddong _).
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Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
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Recorded in situ. Jacques Dournes announces "a child's song", perhaps we should understand a song on the theme of childhood? Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, chants and soundscapes. CHILD SINGING? (SCAN)
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Recorded in situ. Two types of nocturnal grasshoppers: "Greek ya'", "lang jap" and "gecko" Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and soundscapes.
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Recorded in situ. Two types of nocturnal grasshoppers: "Greek ya'", "lang jap" and "gecko" Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and soundscapes.
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Recorded in situ. Two types of nocturnal grasshoppers: "Greek ya'", "lang jap" and "gecko" Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and soundscapes.
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Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and sound ambiances.IP-GUIMBARDE: _röding _ copper model.
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Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
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Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Retelling of a tale at the request of J. DournesSound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Retelling of a tale at the request of Jacques Dournes. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Comments and rites and customs jörai by Ama Tre, at the request of Jacques Dournes. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Discussions by Ama Tre and Jacques Dournes around the tales of Tung and Sing-Konga. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Retelling of a tale about the request of Jacques Dournes by a man. Exchanges with Jacques Dournes.Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Retelling of a tale at the request of Jacques Dournes. Spoken story interrupted by short questions from J. Dournes. Noises in the background.Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Spoken story of a jörai tale at the request of Jacques Dournes. Story of a man sometimes interrupted by short questions from Jacques Dournes.Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Spoken account of a jörai tale at the request of Jacques Dournes by a man. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.
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Recorded in situ. Unpublished sound recordings made by Jacques Dournes in Vietnam, with the Jörai population, in 1965. These are sayings of justice, ritual invocations and birdsong.
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Recorded in situ: chirping of birds + background noise, cry of the rooster Unpublished sound recordings made by Jacques Dournes in Vietnam, among the Jörai population, in 1965. These are bird songs.
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Recorded in situ: voice of a man reciting ritual invocations Unpublished sound recordings made by Jacques Dournes in Vietnam, among the Jörai population, in 1965. These are sayings of justice, ritual invocations and songs of birds.
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Recorded in situation: voice of a man reciting a paranormal experience ("möyut an yang"?) Some interventions in Dournes Jarai for details. Unpublished sound recordings made by Jacques Dournes in Vietnam, with the Jörai population, in 1965. These are sayings of justice, ritual invocations and birdsong.
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Recorded in situ. Unpublished sound recordings made by Jacques Dournes in Vietnam, with the Jörai population, in 1965. These are sayings of justice, ritual invocations and birdsong.
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Recorded in situation: funeral mourner, singing and codified "crying". Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 from the Jörai population: funeral music, different modes of playing aerophones and a study phonetic.
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Record. of a Jörai man spoken voice; phonetic exercise: pronunciation of phonemes. Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 from the Jörai population: funeral music, different modes of playing aerophones and a phonetic study.
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Recorded in situation: m. gongs "cing juar" with eight gongs (three bulges + five flats), and a "högor" drum. Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 among the Jörai population: funeral music, different modes of playing aerophones and a phonetic study.
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Recorded in situ. Spoken male voice. Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 from the Jörai population: funeral music, different modes of playing aerophones and a phonetic study.
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Instrumental music, six-hole mouth organ named "dding nam" played by Köpak Lur. There are five pieces (see files: from BM.965.006.001:A-16 to:A-20): an untitled tune "for playing"; a “ding yaap” tune; a “ding pak” tune [an assistant musician opens and closes the opening of the instrument's pipes with his hand]; a “ding öi” tune; an untitled tune with interruptions. Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 among the Jörai population: funeral music, different modes of playing aerophones and a phonetic study. FREE REED/TIP: six-hole mouth organ.
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Instrumental music, six-hole mouth organ named "dding nam" played by Köpak Lur. There are five pieces (see files: from BM.965.006.001:A-16 to:A-20): an untitled tune "for playing"; a “ding yaap” tune; a “ding pak” tune (an assistant musician opens and closes the opening of the instrument's pipes with his hand); a “ding öi” tune; an untitled tune with interruptions. Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 among the Jörai population: funeral music, different modes of playing aerophones and a phonetic study. FREE REED/TIP: six-hole mouth organ.
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Instrumental music, six-hole mouth organ named "dding nam" played by Köpak Lur. There are five pieces (see files: from BM.965.006.001:A-16 to:A-20): an untitled tune "for playing"; a “ding yaap” tune; a “ding pak” tune (an assistant musician opens and closes the opening of the instrument's pipes with his hand); a “ding öi” tune; an untitled tune with interruptions. Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 among the Jörai population: funeral music, different modes of playing aerophones and a phonetic study. FREE REED/TIP: six-hole mouth organ.
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Instrumental music, six-hole mouth organ named "dding nam" played by Köpak Lur. There are five pieces (see files: from BM.965.006.001:A-16 to:A-20): an untitled tune "for playing"; a “ding yaap” tune; a “ding pak” tune [an assistant musician opens and closes the opening of the instrument's pipes with his hand]; a “ding öi” tune; an untitled tune with interruptions. Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 among the Jörai population: funeral music, different modes of playing aerophones and a phonetic study. FREE REED/TIP: six-hole mouth organ.
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Instrumental music, six-hole mouth organ named "dding nam" played by Köpak Lur. There are five pieces (see files: from BM.965.006.001:A-16 to:A-20): an untitled tune “for playing”; a “ding yaap” tune; a “ding pak” tune (an assistant musician opens and closes the opening of the instrument's pipes with his hand); a “ding öi” tune; an untitled tune with interruptions. Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 among the Jörai population: funeral music, different modes of playing aerophones and a phonetic study. FREE REED/TIP: six-hole mouth organ.
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Instrumental music, tubular aerophone (bamboo stem) struck by three women. There are different strikes (see files: from BM.965.006.001:A-07 to:A-15): “pông tur”; “pah”; “tuöng ke döt”; “högor hroai” (accelerated rhythm); “tö löi hor kat”; “tuöng dak”; “pöng”; “kor nheng” (accelerated rhythm); "ak tö bblah". Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 from the Jörai population: funeral music, different modes of playing aerophones and a phonetic study.
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Instrumental music, tubular aerophone (bamboo stem) struck by three women. There are different methods of strikes (see files: from BM.965.006.001:A-07 to:A-15): “pông tur”; “pah”; “tuöng ke döt”; “högor hroai” (accelerated rhythm); “tö löi hor kat”; “tuöng dak”; “pöng”; “kor nheng” (accelerated rhythm); "ak tö bblah". Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 from the Jörai population: funeral music, different modes of playing aerophones and a phonetic study.
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Instrumental music, tubular aerophone (bamboo stem) struck by three women. There are different rhythms of strikes (see files: from BM.965.006.001:A-07 to:A-15): “pông tur”; “pah”; “tuöng ke döt”; “högor hroai” (accelerated rhythm); “tö löi hor kat”; “tuöng dak”; “pöng”; “kor nheng” (accelerated rhythm); "ak tö bblah". Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 from the Jörai population: funeral music, different modes of playing aerophones and a phonetic study.
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Instrumental music, tubular aerophone (bamboo stem) struck by three women. There are different strikes (see files: from BM.965.006.001:A-07 to:A-15): “pông tur”; “pah”; “tuöng ke döt”; “högor hroai” (accelerated rhythm); “tö löi hor kat”; “tuöng dak”; “pöng”; “kor nheng” (accelerated rhythm); "ak tö bblah". Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 from the Jörai population: funeral music, different modes of playing aerophones and a phonetic study.
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Instrumental music, tubular aerophone (bamboo stem) struck by three women. There are different strikes (see files: from BM.965.006.001:A-07 to:A-15): “pông tur”; “pah”; “tuöng ke döt”; “högor hroai” (accelerated rhythm); “tö löi hor kat”; “tuöng dak”; “pöng”; “kor nheng” (accelerated rhythm); "ak tö bblah". Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 from the Jörai population: funeral music, different modes of playing aerophones and a phonetic study.
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Instrumental music, tubular aerophone (bamboo stem) struck by three women. There are different strikes (see files: from BM.965.006.001:A-07 to:A-15): “pông tur”; “pah”; “tuöng ke döt”; “högor hroai” (accelerated rhythm); “tö löi hor kat”; “tuöng dak”; “pöng”; “kor nheng” (accelerated rhythm); "ak tö bblah". Unpublished sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1964 from the Jörai population: funeral music, different modes of playing aerophones and a phonetic study.