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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Music on the lute accompanying the dances, kanjet.
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem.
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Music for the lute transposed on the vertically suspended wooden xylophone. Rhythm and melody transposed from dances, kanjet with lute accompaniment.
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Music for the lute transposed on the vertically suspended wooden xylophone. Rhythm and melody transposed from dances, kanjet with lute accompaniment.
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a dance, kanjet. The women are online, julut; the men form another line after them and the circles are made and undone and each dancer slowly turns around. (Cf. Bilingual booklet. The music of the Kenyah and Modang in East Kalimantan, Indonesia. p.6, translation by N. Revel)
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a dance, kanjet. The women are online, julut; the men form another line after them and the circles are made and undone and each dancer slowly turns around. (Cf. Bilingual booklet. The music of the Kenyah and Modang in East Kalimantan, Indonesia. p.6, translation by N. Revel)
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a dance, kanjet. The women are online, julut; the men form another line after them and the circles are made and undone and each dancer slowly turns around. (Cf. Bilingual booklet. The music of the Kenyah and Modang in East Kalimantan, Indonesia. p.6, translation by N. Revel)
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a dance, kanjet.
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a warrior dance. The screams of the warriors interfere with the melody during the performance.
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Music that can accompany dances, kanjet.
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Why the hornbill is the king of birds
- The history of the Modang in Apo Kajan
- Translation into Bahasa Indonesia
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Linguistic investigation into the Modang language, Nicole Revel in French and Bahasa with Ajoanes Then. List of Swaddesh
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Ritual song respectfully and courteously expressing festive feelings.
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Music of gongs accompanying dances.
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Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Dance music, round.
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population)
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Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations.
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Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations.
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Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations.
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Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations.
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Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations.
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Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations.