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Sigunung sung by the Sirateng, on the violin by the Nambong. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Géla sung by the Sirateng, on the violin by the Nambong. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Ammacciya sung by La Siraténg, on violin by La Nambong. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Sumpang Minangaé is near Paré-Paré. Violin overture by the Nambong. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Introductory song (story of Lémo Cina) in Bugis by Yusuf Landong, renowned Kecapi player. The kecapi lute has 2 strings. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Introductory song in Bugis by Yusuf Landong, renowned Kecapi player. The kecapi lute has 2 strings. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Introductory song in Bugis by Yusuf Landong, renowned Kecapi player. The kecapi lute has 2 strings. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Rahana tambourine. Zikir: Muslim vegetables. Lumpué is near Paré-Paré. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Rahana tambourine. Zikir: Muslim vegetables. Lumpué is near Paré-Paré. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Biola violin. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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2-string kecapi lute. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Declamation in Indonesian language. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Declamation in Mandar language. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Chanted and spoken. Duo of alternating men: text read by Madé Rai and translated into Balinese by Gégé Gègèr. "Kakawin": old Javanese text in Kawi. This is the Ramayana. Field recordings collected by Christian Pelras in Indonesia during an expedition in 1968.
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Chanted and spoken. Duo of alternating men: text read by Madé Rai and translated into Balinese by Gégé Gègèr. "Kakawin": old Javanese text in Kawi. This is the Ramayana. Field recordings collected by Christian Pelras in Indonesia during an expedition in 1968.
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"Masure' Selléang", sung reading of the beginning of the story of La Dado: the thwarted loves of two young people. Text read by Abdul Hamid. Verse of 8 syllables. Field recordings collected by Christian Pelras in Indonesia during an expedition in 1968.
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Psalmody. History of the Mappanganro, taken from the Galigo cycle, the great cultural cycle of the Bugis. Text read by Abdul Hamid. Verse of 5 syllables. Field recordings collected by Christian Pelras in Indonesia during an expedition in 1968.
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Psalmody. History of the Mappanganro, taken from the Galigo cycle, the great cultural cycle of the Bugis. Text read by Abdul Hamid. Field recordings collected by Christian Pelras in Indonesia during an expedition in 1968.
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The kecapi lute has 2 strings. Ballad sung by Arsjad. Field recordings collected by Christian Pelras in Indonesia during an expedition in 1968.
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Badjo or sama ethnicity. “ganda sama”: sama drum. According to Pelras, the gong is used only for this occasion in Celebes music. Field recordings collected by Christian Pelras in Indonesia during an expedition in 1968.
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Badjo or sama ethnicity. “ganda sama”: sama drum. According to Pelras, it is a piece usually accompanying pentjak exercises, combat dances. Field recordings collected by Christian Pelras in Indonesia during an expedition in 1968.
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The kecapi lute has 2 strings. “Tari pasoloé wadjo” dances of the wadjo candlestick bearers. Several tunes. “nené’ Mallomo”. “nené’ Mallomo”. “ongkona arum poné”: the prerogative of the sovereign of Poné. “nené’ Mallomo”. "ongkona arum poné". “nené’ Mallomo”. Field recordings collected by Christian Pelras in Indonesia during an expedition in 1968.
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The kecapi lute has 2 strings. “Tari pattenung” weaver dances. Several linked tunes repeating themselves. “sabbé-sabbéna”: silk. “masa’ ala”: problems. “nené’ Mallomo”: grandfather Mallomo. “masa’ ala.” “nené’ Mallomo”. “masa’ ala.” sabbé-sabbéna". Field recordings collected by Christian Pelras in Indonesia during an expedition in 1968.
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Album of 12 Odeon and Parlophone 78 rpm records produced by Dr. E. M von Hornbostel and published by Linsström AG (Berlin): Musik Des Orients
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Album of 12 Odeon and Parlophone 78 rpm records produced by Dr. E. M von Hornbostel and published by Linsström AG (Berlin): Musik Des Orients
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Album of 12 Odeon and Parlophone 78 rpm records produced by Dr. E. M von Hornbostel and published by Linsström AG (Berlin): Musik Des Orients
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Album of 12 Odeon and Parlophone 78 rpm records produced by Dr. E. M von Hornbostel and published by Linsström AG (Berlin): Musik Des Orients
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Album of 12 Odeon and Parlophone 78 rpm records produced by Dr. E. M von Hornbostel and published by Linsström AG (Berlin): Musik Des Orients
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Album of 12 Odeon and Parlophone 78 rpm records produced by Dr. E. M von Hornbostel and published by Linsström AG (Berlin): Musik Des Orients
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Album of 12 Odeon and Parlophone 78 rpm records produced by Dr. E. M von Hornbostel and published by Linsström AG (Berlin): Musik Des Orients
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Album of 12 Odeon and Parlophone 78 rpm records produced by Dr. E. M von Hornbostel and published by Linsström AG (Berlin): Musik Des Orients
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Album of 12 Odeon and Parlophone 78 rpm records produced by Dr. E. M von Hornbostel and published by Linsström AG (Berlin): Musik Des Orients
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78 rpm disc of music from Vietnam presenting a recording of the sung piece "Sau Vuong biên ai", a song of 6 phrases called Vong cô (nostalgia for the past), performed by the greatest singer of this vocal style and actor of the so-called renovated theater (hat cai luong), Mr. Ut trà Ôn. The orchestra is composed of a European violin, played by Mr. Hai Thom, a Vietnamese 6-string guitar, played by Mr. Lich and a "song lang" wooden block.
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78 rpm disc of music from Vietnam presenting a recording of the sung piece "Sau Vuong biên ai", a song of 6 phrases called Vong cô (nostalgia for the past), performed by the greatest singer of this vocal style and actor of the so-called renovated theater (hat cai luong), Mr. Ut trà Ôn. The orchestra is composed of a European violin, played by Mr. Hai Thom, a Vietnamese 6-string guitar, played by Mr. Lich and a "song lang" wooden block.
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78 rpm disc of music from Vietnam presenting a recording of the sung piece "Sau Vuong biên ai", a song of 6 phrases called Vong cô (nostalgia for the past), performed by the greatest singer of this vocal style and actor of the so-called renovated theater (hat cai luong), Mr. Ut trà Ôn. The orchestra is composed of a European violin, played by Mr. Hai Thom, a Vietnamese 6-string guitar, played by Mr. Lich and a "song lang" wooden block.
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78 rpm disc of music from Vietnam presenting a recording of the sung piece "Sau Vuong biên ai", a song of 6 phrases called Vong cô (nostalgia for the past), performed by the greatest singer of this vocal style and actor of the so-called renovated theater (hat cai luong), Mr. Ut trà Ôn. The orchestra is composed of a European violin, played by Mr. Hai Thom, a Vietnamese 6-string guitar, played by Mr. Lich and a "song lang" wooden block.
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78 rpm disc of music from Vietnam presenting a recording of the sung piece "Sau Vuong biên ai", a song of 6 phrases called Vong cô (nostalgia for the past), performed by the greatest singer of this vocal style and actor of the so-called renovated theater (hat cai luong), Mr. Ut trà Ôn. The orchestra is composed of a European violin, played by Mr. Hai Thom, a Vietnamese 6-string guitar, played by Mr. Lich and a "song lang" wooden block.
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78 rpm disc of music from Vietnam presenting a recording of the sung piece "Sau Vuong biên ai", a song of 6 phrases called Vong cô (nostalgia for the past), performed by the greatest singer of this vocal style and actor of the so-called renovated theater (hat cai luong), Mr. Ut trà Ôn. The orchestra is composed of a European violin, played by Mr. Hai Thom, a Vietnamese 6-string guitar, played by Mr. Lich and a "song lang" wooden block.
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Sound recordings of classical and popular music from Burma in 1958 by Denise Bernot published by the Musée de l'Homme in 1961 (LD-17-2).
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Sound recordings of classical and popular music from Burma in 1958 by Denise Bernot published by the Musée de l'Homme in 1961 (LD-17-2).
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Sound recordings of classical and popular music from Burma in 1958 by Denise Bernot published by the Musée de l'Homme in 1961 (LD-17-2).
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Sound recordings of classical and popular music from Burma in 1958 by Denise Bernot published by the Musée de l'Homme in 1961 (LD-17-2).
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Sound recordings of classical and popular music from Burma in 1958 by Denise Bernot published by the Musée de l'Homme in 1961 (LD-17-2).