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Ia ra'bana in Arabic. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Ibrah ia albi in Arabic. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Welang-pelang in Bugis. Among the 2 drums, one is a cymbal and the other is a small drum. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Adé pangampé in bugis. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Laju laju in bugis. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Kapal putih in Indonesian: the white man's boat. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Malam Gembira in Indonesian. Joyful evening. Among the 2 drums, one is a cymbal and the other is a small drum. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Karibullah in Arabic. Among the 2 drums, one is a cymbal and the other is a small drum. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Dari kémah Ke Tanah wangko in Indonesian: from the tent to the land of the Wangko. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Fi mak semen in Arabic. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Yawar in Arabic. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Allaomma in Arabic. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Iaharim in Arabic. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Fake. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Idiophones are metal spoons held in pairs in each hand. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Idiophones are metal spoons held in pairs in each hand. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Massuré: chanted reading according to the archaic style. South Celebes Islands. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Massure: chanted reading of epico-mythical literature by Hamid, taken from the cycle of La Gabigo, during the wedding and house-building vigil. South Celebes Islands. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Singing by Kadir, accompanied by Palaloi, La Pancé (kecapi), La Mami (violin), La Nuke (flute). South Celebes Islands. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Singing by Kadir, accompanied by Palaloi, La Pancé (kecapi), La Mami (violin), La Nuke (flute). South Celebes Islands. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Tari bosara: dance of cups, popular and recent. South Celebes Islands. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Two kecapi (2-stringed lute) by Palaloi and La Panoë. South Celebes Islands. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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South Celebes Islands. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Tari pattennung: dance of the weavers (recent creation but currently the most popular). South Celebes Islands. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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South Celebes Islands. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Tari pasuloi: dance of the torch bearers (recent creation). The kecapi lute has 2 strings. South Celebes Islands. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Music played on the occasion of wedding celebrations, births or the erection of new houses. The kecapi lute has 2 strings. South Celebes Islands. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Tari pa'duppa: welcome dance in honor of distinguished guests. The kecapi lute has 2 strings. South Celebes Islands. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Idiophones are iron percussion instruments called tetti-lagoni. Séré lolosu: rare traditional dance practiced by transvestites and intended to chase away evil spirits. South Celebes Islands. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Mappadéndang: ritual battery of rice mortars at the harvest festival. Four girls in the center play a regular rhythm, three young men on each side play a syncopated rhythm (6 boys and 4 girls). Demonstration of spectators during silat performances, combat dance. South Celebes Islands, A'banuangé near Paré-Paré. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Mappadéndang: ritual battery of rice mortars at the harvest festival. Four girls in the center play a regular rhythm, three young men on each side play a syncopated rhythm (6 boys and 4 girls) (Film directed by Ch. Pelras). South Celebes Islands, A'banuangé near Paré-Paré. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Mappadéndang: ritual battery of rice mortars at the monthoon festival. Four girls in the center play a regular rhythm, three young men on each side play a syncopated rhythm (6 boys and 4 girls) (Film directed by Ch. Pelras). South Celebes Islands, A'banuangé near Paré-Paré. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Mappadéndang: ritual battery of rice mortars at the monthoon festival. Four girls in the center play a regular rhythm, three young men on each side play a syncopated rhythm (6 boys and 4 girls) (Film directed by Ch. Pelras). South Celebes Islands, A'banuangé near Paré-Paré. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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The léa-léa bamboos are split. The wedding battery is present in noble weddings. It is used to chase away evil spirits. She is disappearing. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Song accompanying a funeral round, with repetitions. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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The “Bélalé” sung by the Sirateng, on the violin by the Nambong. The most famous lullaby in Bugis country. Tech. AB. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Beti ceded sung by the Sirateng, on the violin by the Nambong. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Allalauala sung by the Sirateng, on the violin by the Nambong. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Kudu Kudu sung by the Sirateng, on the violin by the Nambong. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Gallaureuni sung by Sirateng, on violin by Nambong. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Tanjong Mani sung by Sirateng, on violin by Nambong. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Field recordings of Christian Pelras during an expedition in Indonesia in 1972.
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Atiraja sung by the Sirateng, on the violin by the Nambong. Field recordings of Christian Pelras during an expedition in Indonesia in 1972.