(Flores Waiklibang) Mitos Asal Usul Padi, Tarian Nama Nigi, 3

Item

Edited Title
Nama Nigi- Haman Opak bélun: Gurun Gawak Be'ola Tugu "narrative of enveloping and encircling the food of the fields"
Archivist's Original Title
id (Flores Waiklibang) Mitos Asal Usul Padi, Tarian Nama Nigi, 3
en (Flores Waiklibang) Sung Myth of The Origin Of Rice, Nama Nigi Dance, 3
fr (Flores Waiklibang) Mythe d'Origine Du Riz (3). Danse Nama nigi
Original description
en Field recording collected by Dana Rappoport in Eastern Indonesia in 2006 and 2007
id Rekaman dibuat oleh Dana Rappoport di Indonesia Timur selama satu tahun (2006-2007)
fr Enregistrements de Dana Rappoport dans l'Est indonésien durant un an (2006-2007)
Time duration
00:18:18
MetadataURL
http://archives.crem-cnrs.fr/archives/items/25209/
Recording date of the original material
2006-11-08
Acquisition Date
2007
Population
Lamaholot
Place of the cultural origin
Waiklibang
Country Name
Indonesia
Recording place
Flores, Waiklibang, Kec. Tanjung Bunga, Kabupaten Flores Timur
Resource Language
Lamaholot
Performer/Speaker
Klara Kési Liwun, Ema' Kewe, Lego Lego Koten, Johanes Milan Maran, Andreas Ama Maran and other Waiklibang singers.
Comment
en Recorded during the Dokan Gurun ritual. Recorded the night of November 8, 2006, at 2 am, in Ratulodong (Desa Waiklibang), on the occasion of the agrarian ritual Dokan Gurun (“seed wrapping”). Haman Opak bélun: Gurun Gawak Be'ola Tugu "narrative of enveloping and encircling the food of the fields" . Nama nigi "difficult dance" (from haman "tread" and nigin "difficult") unfolds over a rhythmic cycle of sixteen beats marked by the steps of the dancers. During this cycle, the singers alternate three melodic motifs, shared between two groups of duettists (opak and hodé'ana).The pitch scale is tetraphonic (re mi fa sol). The “difficulty” (nigin) lies in the coordination between the cycle of sixteen beats marked by the dance steps and the melodic motifs. The song functions on an alternation between reciter (opak) and alternating duet (hode' ana') Alternation between two duets: two women and two men. The second voice in the duet sings a fifth below the first. The second voice is a drone. The Dokan Gurun ("save, set aside, wrap") rite is done to store the seed in the granary. This seed represents the body of a sacrificed woman.
fr Nama nigi « danse difficile » (de haman « fouler » et nigin « difficile ») se déploie sur un cycle rythmique de seize temps marqués par les pas des danseurs. Sur ce cycle, les chanteurs alternent trois motifs mélodiques, partagés entre deux groupes de duettistes (opak et hodé’ ana). Au sein d'un duo, la seconde voix chante à la quinte inférieure, comme un bourdon . L’échelle de hauteurs est tétraphonique (ré mi fa sol). La « difficulté » (nigin) réside dans la coordination entre le cycle de seize temps marqués par les pas de danse et les motifs mélodiques. Le chant fonctionne sur une alternance entre récitant (opak) et duo alternant (hode' ana') Alternance entre deux duos : deux femmes et deux hommes.
id Nama nigi “tarian sulit” (dari haman “menginjak” dan nigin “sulit”) berlangsung dalam siklus ritmis enam belas ketukan yang ditandai oleh langkah para penari. Dalam siklus ini, para penyanyi bergantian membawakan tiga motif melodi, yang dibagi antara dua kelompok duet (opak dan hodé’ ana). Setiap penyulam bernyanyi di bagian kelima bawah. Tangga nada bersifat tetrafonik (D E F G). "Kesulitan" (nigin) terletak pada koordinasi antara siklus enam belas ketukan yang ditandai dengan langkah-langkah tari dan motif melodi. Lagu ini menggunakan pergantian antara pencerita (opak) dan duet bergantian (hode' ana'). Pergantian antara dua duet: dua wanita dan dua pria.
Archivist Category
en Music (Vocal and instrumental)
Recording context
en Field recording
Instrument, Original Archivist Data
Singing Voice: Female duet, male duet
Instrument (Supplementary/Annotated Data)
Bells
Collector
Dana Rappoport
Name of original Collection
Indonesia : East Flores, Solor, Adonara, Lembata Islands, 2006-2007.
Collection source citation
Indonesia : Flores (East), Solor, Adonara, Lembata, D. Rappoport, 2006-2007
History of ownership
Sound recording archived at Musée de l'Homme in 2007 by D. Rappoport
Holding Institution of Original Materials
Bibliothèque nationale de France
Licensing Institution
Centre National de la Recherche Scientifique
Accessing Institutions
Centre de Recherche en Ethnomusicologie (LESC, CNRS)
Copyright Information
In Copyright. Non-Commercial Use Permitted
In Copyright. Non-Commercial Use Permitted
Copyright Notice
For any use, please contact the CREM-LESC (CNRS, Nanterre University, France): crem.lesc[at]cnrs.fr ; See information at https://archives.crem-cnrs.fr
Physical format
en Digital file
Preservation State of Physical Object
original
Original item number
CNRSMH_I_2007_006_001_235
SEAH Identifier
SEAH_CNRSMH_I_2007_006_001_235
Item sets
Sound archives from Indonesia (CNRS)
Media
https://archives.crem-cnrs.fr/archives/items/CNRSMH_I_2007_006_001_235

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Title Class
https://archives.crem-cnrs.fr/archives/items/CNRSMH_I_2007_006_001_235 AudioObject